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This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.
2017
Oil Paint on Canvas
By Francesca Colombo Colombo '19
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
2020
Photography Series
By Victoria Chiek '22
This drawing for me is meant to capture some of the dynamic processes I have witnesses in the Cosmos.
2018
Watercolor and black ink
By Alejandro Poler '19
2021 — a year of uncertainties, breakthroughs, and hope. The nurse at a vaccination site epitomizes this spirit of perseverance and hope.
2021
Acrylic Paint on Canvas
By Sarah Dong '26
A wristwatch lies across a keyboard, the numbers juxtaposing the letters and a soft, glowing gleam reflecting across its surface.
2019
Acrylic Paint on Canvas
By Sarah Dong '26
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
2018
acrylic and mixed media
By Syd Westley '21
This work centers on the relationship between the human and the artificial, inspired when I photographed my cousin with a stark, artificial flash.
2023
Oil and Acrylic Paint on Canvas
By Emily Zhang '26
These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.
2022
Wood sculpture
By Bryan Defjan '24
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
2017
Photograph
By Julianna Yonis '21
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
Oil on canvas
By Shin Mei Chan '18
These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.
2019
monotype on paper
By Cathy Yang '20
This is a painting of inception as an artist recreates a Delacroix masterpiece, “The Death of Sardanapalus” with a little boy looking up in awe.
2021
Acrylic Paint on Canvas
By Sarah Dong '26
[how I avoid winter quarter: experiments with colors and a palette knife]
2017
Oil Paint on Canvas
By Meg McNulty '20
Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.
2016
Colored Pencil
By Meagan Wu '18