Student Artist
Francesca Colombo Colombo '19
Computer Science 2019
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Submersion
Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.
2015
Acrylic Paint on Canvas
By Meagan Wu '18
Hand over hand
Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.
2015
Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.
By Maia Mosse '20
Humanity in the operating room
These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.
2017
Digital photography
By Soraya Fereydooni '20
Coronavirus, Capitalism, and Connectivity: Monochroming what was once in Colour
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
2020
Scanned magazine collage, colour pencils, and pen on Sketchbook
By Crystal Chen '22
Memorial Church
Light fluctuations through stained glass is always beautiful and ethereal at different times of day.
2025
Photograph of the Stanford Memorial Church
By Vivian Xiao '28
Glacier Portrait
I made this painting in Iceland as part of my Chappell-Lougee arts project. It is a portrait of a glacier in the glacier lagoon known as Jökulsárlón.
2016
Mixed media (oil paint, charcoal, pastel, grass) on canvas
By Tyler Dunston '18
A Still from At Bay: Chapter One – How to Start a Startup
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
2016
Still from a web series
By Katie Adams '17
Cityscapes and Scenes
I have a series of three paintings showing scenes from 3 places here in USA which caught my eye.
2022
Watercolor
By Dayeeta Pal '27
Time to Spare
I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.
2016
Digital Photograph
By Connor Gilmore '21
Not Yet
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
2016
Digital Visual Art
By Andrew Lesh '19
Memory
A visual exploration of ZIP, a drug currently in development used to treat PTSD by directly erasing targeted memories.
2018
Mixed Media
By Noah DeWald '20
Where Language Begins and Does Not End
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
2018
acrylic and mixed media
By Syd Westley '21
Untitled
These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.
2018
oil on cnavs
By Cathy Yang '20
Rancho de San Luis, JAL, MX
August on my family’s ranch in Jalisco, México.
2017
Environmental Photographs
By Kamilah Nicalli Arteaga '22
Midas Muffler King
Contemplating place in the West, while memories of home in the South persist.
2018
Acrylic on Canvas 40 x 30 in
By Gunner Dongieux '21
Wind
Released some restless energy onto paper with this portrait sketch.
2020
Graphite on Paper
By Phoebe Kimm '20