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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Katie Adams '17

Film and Media Studies 2017 @atbayseries, tickled_gingerr, jaymoon

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A Still from At Bay: Chapter One – How to Start a Startup

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a ritual for the sky

The sky disc’s dynamic effects on viewing the sky were photographically documented over the course of a sunrise and a sunset.

2017

Installation: printed plastic sheeting (pictorico), fishing wire

By Vivienne Le '19
Clarice

Originally meant as a study of diffused light in a “nocturne” scene, this piece is a take on portraiture, figures, and landscape in one.

2020

Oil Paint on Canvas

By Sreya Halder '23
Looking Up

Taken while walking in my hometown of Washington, D.C.

2020

Photograph

By Laura Anderson '21
one foot in the water

A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.

Link to Website

2016

Oil on canvas

By Vivienne Le '19
Genesis

This is the moment when the smallest to the biggest invisibilities came to life, and unity in faith and science was apparent.

2016

Wax Pastel on Wood

By Lia "Bear" Kim '21
Untitled

A ghostly woman draped in a silk shawl and pearls.

2022

Charcoal

By Jessica Lee '22
Ducks of Stanford

Quotes from an anonymous survey sent out to student dorms are written on prints of photographs of ducks representing Stanford students

2018

Digital photography prints

By Soraya Fereydooni '20
Doorway to Stanford

India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.

2017

Enamel Paint

By Tyler Su '20
The Claw

Location: The Claw fountain, White Plaza
Part of the virtual 2020 Stanford Gaieties musical scenery.

2020

Digital Illustration

By Helen He '23
Melting Flesh

This piece is an abstract self-portrait linking the internal self and the body to the collective human consciousness.

2022

3D animation (Blender)

By Laia Bent '25
Digital Future

This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.

2022

Linoleum Block Print on Paper

By Hannah Cha '25
Confirmation

No Description

2022

Watercolor on Paper

By Lily Thai '27
Community

Giant ladle meant to represent heaven, a room where everyone figured out that to feed themselves, they have to feed each other. + Harley Quinn’s bat

2023

Wood sculpture, Metal Sculpture. Can also display photos attached instead

By Saanvi Bhatia '27
Pavilion

Rendering of a modern jazz pavilion, referencing the visual skeleton chord structure of jazz compositions.

2018

Digital Rendering

By Akshay Dinakar '19
How Small Are We?

Commenting on our smallness in comparison to all we have to face – be it a pandemic, the vastness of the ocean, or history. Our smallness is humbling

2020

acrylic on cardboard

By Helena Zhang '22
Transparency

A commentary on the fifth stage of grief: acceptance.

2021

Acrylic on Canvas

By Victoria Lin '27
Stanford through an artist’s eyes

A watercolor painting of Stanford Campus

Link to Website

2023

Acrylic Painting

By Anushikha Anushikha '25
Riven

An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in Chavín de Huántar.

2017

Digital Visual Art

By Andrew Lesh '19
Kimchi Jar: An Interactive Poem

This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.

Link to Website

2023

3D Arduino installation, interactive poetry

By Hannah Cha '25
Detritus

How do you heal after being discarded?

2021

Acrylic on Canvas

By Victoria Lin '27
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