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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Roble Arts Gym (RAG) Messy Arts Space

Roble Arts Gym

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Cairo Mo '20

Art Practice 2020

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self control (hot tub)

night

bite back

tide

19 Self-Care Tips To Try Out

pink pink pink pink pink moon

time

middle passage

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window/windows

A process exploration of dye sublimation to print the iconic “Bliss” wallpaper of the operating system Windows XP onto constructed shutters.

2017

Sculpture: wood, white house paint, printed acrylic sheet, venetian window structure

By Vivienne Le '19
Untitled (16 tuned chairs tapping @ 3rpm)

16 wooden chairs, each with one leg severed, tap in syncopated rhythm, puncturing through a low droning electrical hum.

Link to Website

2023

Found and modified wooden chairs, custom steel hardware, dc motors, wires, solder, modified cast iron weights

By Andrew Sungtaek Ingersoll '25
Stanford

This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.

2018

Markers on paper

By Alejandro Poler '19
Tahoe Mountains and Sky

Indigo mountains and a somber gray sky are reflected in the clear water of Lake Tahoe.

2022

Oil paint on canvas

By Christina Kent '22
Metamorphosis

Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article

2018

Studio photography

By Jessica Yeung '21
coffee showers

inspired by Mondays, morning showers, and an addiction to caffeine.

2019

Digital illustration

By Elaine Park '21
Security Blanket

The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.

Link to Website

2019

Photography

By Kelsey Wang '22
Monstera

(Work in progress) Monstera in grayscale w/ orchre yellow stems

2024

Oil on Canvas

By Chang M. Yun '28
cloudy with a chance of love

cloudy with a chance of love

2020

Digital illustration

By Elaine Park '21
Waste Mismanagement

A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.

2019

Digital illustration and collage

By Elaine Park '21
The Quad

Quad is always changing amazingly.

2017

Photo

By Lining Sun '18
Digital Youth

A love letter to passionate yet high-strung and jaded Generation Z, this series focuses on youth’s struggles to find meaning in today’s online world.

Link to Website

2021

Photography

By Bryan Defjan '24
Ode to Stanford

A colorful map collage built by the greater Stanford community, accompanied by 2 mixed media pieces that honor and appreciate the Stanford experience.

Link to Website

2020

Mixed media: acrylic and oil paint on canvas, vinyl, press-on stickers, photographs, repurposed paper, wood veneer, laser cut mirror, coins, paper money, playing cards

By Nick Love '20
Nighttime

Mice own your belongings at night.

2016

Charcoal Pencil on Paper

By German Enik '22
Water City

A fantastical city illustrating a water-based transportation system.

2020

Digital painting

By Catherine Mullings '22
Exotic Oriental Murder Mystery!

This work converts content into physical form. Charlie Chan, played by white actors in yellowface, investigates murders. But who is he really hurting?

2017

Ink and print on wood

By Olivia Popp '20
Girl, Boy, Beautiful

This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.

2019

Photograph/Scanned Image

By Jacqueline Garcia Peraza '21
body of evidence

This 5-page word-art series explores the way emotion and memory lives in the body through experimentation with colour.

2023

Mixed media (watercolor, charcoal pencils, pencil) on sketch paper

By Smiti Mittal '23
Harbor

These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.

2019

Digital Photographs

By Laura Anderson '21
After Class Hours

Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.

2019

Digital Illustration

By Helen He '23
After Class Hours
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