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These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
2020
Collage & ink pen
By Kyle Cromer '20
A coloring pages for people to color and de-stress:) These pages are part of my project Coloring to Cope for the COVID-19 art grant.
2022
Digital
By Helena Zhang '22
The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.
2019
iPhone photographs, collaged on Photoshop
By Katie Han '23
This work showcases cultural connection and displacement. The food that should be on your table is now hung on a wall, commemorated but inaccessible.
2024
Monoprints on food wrapping paper, laser cut stencils
By Mhar Tenorio '24
Western media creates unrealistic expectations of perfection in avocados. In this painting, I seek to challenge and redefine avocado beauty standards.
2016
Oil on canvas
By Nan Munger '20
This painting is a depiction of my first month here at Stanford.
2022
Water Color on Paper
By Dayeeta Pal '27
A little boy reaches out to the diver on the other side of the aquarium glass, encapsulated within this innocent moment of hope and harmony.
2020
Acrylic Paint on Canvas
By Sarah Dong '26
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
2015
Digital Visual Art
By Andrew Lesh '19
I spent 26 days backpacking through Death Valley. When water is scarce, life harder yet more simple, what matters most becomes evident.
2020
song / soundscape
By Elias Feierabend-Peters '20
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
2024
Acrylic on Canvas
By Bryan Defjan '24
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
2016
Digital Visual Art
By Andrew Lesh '19
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
2017
Pen and Marker
By Ashi Agrawal '19
Self portrait at the height of COVID and my own extraordinary depression.
2020
Oil paint on canvas
By Sophia Siegel '25
My piece comments on the movement of youth in Mexico towards narco culture and the dire implications it has for more traditional aspects the culture.
2018
Acrylic Paint on Canvas
By Lorena Diosdado '21
Whales and dolphins were my favorite animals when I was younger. In this piece, dark shadows contrasted by blue hues highlight that childhood bond.
2018
Adobe Photoshop Illustration
By Helen He '23
