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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Helena Zhang '22

Undeclared 2022

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Stand Up

Beyond the Window

Childhood Silence

How Small Are We?

Train Wreck

“Can’t Wait To Be Back” and for the one with hot balloons, it’s “Happiness is a Journey”

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Looking Back 2021

2021 — a year of uncertainties, breakthroughs, and hope. The nurse at a vaccination site epitomizes this spirit of perseverance and hope.

2021

Acrylic Paint on Canvas

By Sarah Dong '26
What We Build

Machines roar and metal parts clang away in the background in this artwork as an enormous robot is constructed before the eyes of a young spectator.

2019

Adobe Photoshop Illustration

By Helen He '23
GROWTHesque

This solo play premiered in Edinburgh Fringe Festival in 2022 and made its US debut in New York City where I won the award for ‘Best Emerging Actor’

Link to Website

2023

Photograph of Performance (solo play)

By Leeth Singhage '26
Nicollette (Venice, Italy)

Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change

2018

acrylic on canvas

By Vedika Kanchan '23
Trying to Forgive

This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.

2022

Oil on canvas

By Jackie Liu '25
On How to Land a Kiss

This piece explores duality in behavior: relaxing the tongue can provide a positive experience during kissing, but can prove deadly with sleep apnea.
Link to Artwork

2022

Writing

By Tyler Newman '25
Ahina (Juhu, Mumbai – Home)

This painting is in honor of Ahina and all the women that spend years wishing for a day at school.

2017

46″ x 32”

By Vedika Kanchan '23
Main Quad Blues

Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.

2019

Digital Illustration

By Helen He '23
Post-Election Blues

Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.

2024

Acrylic on Canvas

By Bryan Defjan '24
Flavors of Friendship

An ode to a few of many meaningful moments shared with friends over a cafe drink – Coffee at Peet’s, Chai by Meyer Green, and Matcha over Zoom.

2024

Gouache on Paper

By Arethea Lim '24
Mirror in my mind

An exploration of nature’s healing power as an avenue for escapism and introspection.

2022

Ballpoint and pencil on paper

By Bryan Defjan '24
An Indian’s Journey to Stanford

This painting is a depiction of my first month here at Stanford.

2022

Water Color on Paper

By Dayeeta Pal '27
So Hysterical

My IUD made me bleed for 8 months straight, gave me terrible cramps, and made me depressed. After finally getting it removed, I made art with it.

2023

Oil paint, acrylic paint, and IUD on wood panel

By Jackie Liu '25
Say Cheese!

This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.

2022

Linoleum Block Print on Paper

By Hannah Cha '25
Untitled

A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.

2019

Oil paint on Canvas

By Mackenzie Carlson '23
Sea Glass

Sea Glass is a poem I wrote in high school about fearing going to college. I transformed it into a book with watercolor paintings and text designs.

2023

Art book

By Chloe Chang '25
Flowers II

I made this painting with an attempt to capture the vibrant feeling of spring and awakening. It’s a reminder of the beauty and color of life!

2014

Oil on canvas

By Shin Mei Chan '18
My Many Faces

It is difficult for humans to accept their own flaws and imperfections. This is a self-portrait displaying my many different tones and personalities.

2017

Acrylic on Paper

By Amelia Talkington '22
Shadows

Taken at Jasper Ridge Biological Preserve during one of the field trips of MI 70Q: Photographing Nature.

2019

Photograph

By Yifei He '22
Figure 57

This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.

2014

fine-tip pen and watercolor on paper

By Noah DeWald '20
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