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Student Artist
Undeclared 2024 @mhar.t
This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!
2016
Colored pencil
An ode to a few of many meaningful moments shared with friends over a cafe drink – Coffee at Peet’s, Chai by Meyer Green, and Matcha over Zoom.
2024
Gouache on Paper
A surreal portrayal of the cost of modern designer fashion culture.
2015
Scratchboard
This work was featured at a solo show with New Image Art in West Hollywood. You are welcome to share any of the work on my Instagram (L.SongWu)
2023
Oil paint on canvas
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
Link to Website
2019
Photography
The emotional turmoil of Fall quarter. As students process their new reality, they long for human connection but also feel empty and purposeless.
2021
Body painting is used to simulate the patient-doctor relationship. Imagery is inspired by anatomy and the model’s bodily experiences.
2020
Body Paint on Skin
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
2022
Acrylic on canvas
The girl who depicts prosperity is looking beyond her world into one that’s suppressed by indigence, because to solve a problem you must face it.
2017
acrylic on canvas
Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.
Video Art
Serenity from within results from letting go.
2014
Watercolor
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
Pencil and paper
This is a picture a created from 40 raw pictures I took of the same fruit cup. Compiling all 40 images into one allowed me to show everything in focus
2018
Digital Photograph
I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.
Reflective watercolor painting after a trip to Tokyo.
This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.
Markers on paper
This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.
A contrast between the cold, grayish tones of the subject and the warmer ones of the koi fish as the two tones mesh following the flow of the fish.
Oil Paint on Canvas
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
Digital Illustration
Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.
Watercolor and Pencil