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Nibha Akireddy '
2020
Oil on Canvas
By Nibha Akireddy '
This is how your friend from high school looks at you–knowing you’re different now, knowing she’s different now.
2014
Color Film
This piece depicts a fictionalized memory of my grandfather, who I only knew through his woven hats and birds passed down through my family.
2023
Oil Paint on Canvas
The Countour of White Sands NP
Photograph
The girl who depicts prosperity is looking beyond her world into one that’s suppressed by indigence, because to solve a problem you must face it.
2017
acrylic on canvas
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
Digital Illustration
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
Charcoal and Ink on Toned Paper
The sky disc’s dynamic effects on viewing the sky were photographically documented over the course of a sunrise and a sunset.
Installation: printed plastic sheeting (pictorico), fishing wire
*sixth photograph of Hidden Gems series
Series of Photographs
This work is a triptych of body parts from several acclaimed works by Renaissance artists. The famous works are reimagined in a modern style.
2018
Acrylic Paint on Canvas
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.
Photograph/Scanned Image
inspired by Mondays, morning showers, and an addiction to caffeine.
Digital illustration
Sea Glass is a poem I wrote in high school about fearing going to college. I transformed it into a book with watercolor paintings and text designs.
Art book
This is a photo taken in the Main Quad.
No Description
2022
Watercolor on Paper
In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.
2016
Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.
Link to Website
Photographs
I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.
35mm Photography
The emotional turmoil of Fall quarter. As students process their new reality, they long for human connection but also feel empty and purposeless.
2021
Photography
A realistic painting of a dog mouth, rendered uncomfortably close to the viewer. 8″ x 10″.
Oil paint on canvas