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Student Artist
Comparative Literature and Art Practice 2022
These works were primarily crafted from fashion, science, and interior design magazines ranging from the early 90s to present.
2019
Collage, ink pen
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
Oil on Canvas
This short film was submitted as part of my arts portfolio for my Stanford application
Link to Website
2021
Short Film
Mice own your belongings at night.
2016
Charcoal Pencil on Paper
Self portrait at the height of COVID and my own extraordinary depression.
2020
Oil paint on canvas
India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.
2017
Enamel Paint
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
2024
Acrylic on Canvas
A gray tabby cat with timeless, marble-like eyes filled with stories to tell and lessons to share sits near a bush, encapsulating the spirit of Paris.
Colored Pencil
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
2023
ink on rice paper; poetry
This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.
2014
Acrylic on canvas 24″x 24″
This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”
Vector drawing and photography
No Description
2022
Watercolor on Paper
The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?
Charcoal on paper; flame on tracing paper
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.
This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.
2018
Graphite on Paper
I wanted to render a tree during a vibrant morning on The Farm from a design perspective.
Ink Resist
This song is a unique take on John Coltrane’s ‘Impressions’ in terms of instrumentation, style, and genre.
Guitar recording with electronic drums and synths
Girl meets whale.
Digital Illustration
In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
Mixed Media: paper collage with ink and watercolor
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
Photograph