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This piece is an abstract self-portrait linking the internal self and the body to the collective human consciousness.
2022
3D animation (Blender)
By Laia Bent '25
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
2017
Laser Cut Birchwood
By Kimberly Te '20
Released some restless energy onto paper with this portrait sketch.
2020
Graphite on Paper
By Phoebe Kimm '20
My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
2021
Acrylic Paint on Canvas
By Hannah Cha '25
I use this artwork to ask, “What has become of our childhood innocence?”
2019
ink on paper, collage
By Helena Zhang '22
generational echos is an interactive art piece created using Processing, delving into the deeply ingrained cultural values in Vietnamese society.
2023
Interactive Video Installation
By Han Dao '26
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
2017
Pen and Marker
By Ashi Agrawal '19
A fantastical city illustrating a water-based transportation system.
2020
Digital painting
By Catherine Mullings '22
Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.
2021
Acrylic on canvas, some collage from a news story
By Vrinda Suresh '21
I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.
2016
Ink Resist on Paper
By Brooke Ferber '20
The great horned owl is found at Stanford and throughout the Americas and is named for its distinctive ear tufts.
2023
machine embroidery on cotton fabric
By Daniel Richman '27
In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.
2016
Photograph
By Robin Willscheidt '19
Based on the poem Ozymandias by Percy Bysshe Shelley, this piece was intended to examine the environmental and cultural cost of the fashion industry.
2015
Mixed Media
By Noah DeWald '20
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
2020
Acrylic on canvas
By Vrinda Suresh '21
Princess Going Digital considers queer girlhood on the playground of the laptop screen, a site for unapologetic self-documentation and portraiture.
2023
Gouache on Paper
By Malavika Kannan '24