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Student Artist
Art Practice 2027
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
2018
Paper Maps on Cardboard
Bright orange poppies burst into the foreground framed by cool blue houses behind.
2022
Oil paint on panel
Series highlighting experiences with environmental change, connection to place, and emotional displacement by collaging satellite maps with portraits.
Photography/digital collage
inspired by Mondays, morning showers, and an addiction to caffeine.
2019
Digital illustration
This self portrait addresses my invisible disability and the words around me are a mix of medical statements and emotional entries from my journal.
Graphite on Paper
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
Oil on canvas
I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.
2020
Watercolor on Paper
v.c.a – an ongoing project and exploration of visual communication through abstraction
2016
Graphic Design
These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.
2017
Digital photography
Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.
2015
Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.
Past lovers who couldn’t be together grieve over “what was” and “what could have been”, learning each other’s rhythms tenderly for the first time.
2024
Oil on Canvas
Taken at Baylands Nature Preserve during one of the field trips of MI 70Q: Photographing Nature, featuring a student and a community member.
Photograph
I use this artwork to ask, “What has become of our childhood innocence?”
ink on paper, collage
Abstract photography with the goal of rendering mundane objects unrecognizable.
Photography
The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?
Charcoal on paper; flame on tracing paper
This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.
Link to Website
Photography Series
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
I made this painting with an attempt to capture the vibrant feeling of spring and awakening. It’s a reminder of the beauty and color of life!
2014
A contrast between the cold, grayish tones of the subject and the warmer ones of the koi around her as they mesh together following the fish’s flow.
2021
Oil Paint on Canvas
This is a study of Auguste Rodin’s “Bust of St. John the Baptist,” in an attempt to capture the densely textured look of the original.
Charcoal, white chalk on toned paper