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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Soraya Fereydooni '20

Biology 2020

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Picturing Persian Poetry

Humanity in the operating room

Creative limitation

Ducks of Stanford

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Life Like Weeds nos. 2 & 3… Archimedean Solids or The Passage from Virgin to Bride… Eternal Sunshine or The Bride Laid Upon the Altar… In Fifteen Minutes Everyone Will Be Famous

These works were primarily crafted from fashion, science, and interior design magazines ranging from the early 90s to present.

2019

Collage, ink pen

By Kyle Cromer '20
Ritual

“Ritual” is an unfinished game prototype that is one piece of a meta-narrative that unfolds as the viewer explores the file directory containing it.

Link to Website

2020

Interactive narrative horror game/file explorer experience

By Noah DeWald '20
Monstera

(Work in progress) Monstera in grayscale w/ orchre yellow stems

2024

Oil on Canvas

By Chang M. Yun '28
Newborn

A mother lamb takes gentle care of her newborn.

2019

Oil Paint on Canvas

By Tracy Wei '26
Memory

A visual exploration of ZIP, a drug currently in development used to treat PTSD by directly erasing targeted memories.

2018

Mixed Media

By Noah DeWald '20
Cattle Soul

I made this piece as an exploration of how cows are perceived in different cultures, and society’s relationship to animals as a whole.

2015

Mixed Media

By Noah DeWald '20
Portrait of a Glass, Empty

Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.

2020

Acrylic on canvas

By Vrinda Suresh '21
Good Morning

The feet of my former roommate are greeted by the warm light that streams in through the blinds.

2022

Oil on canvas

By Jackie Liu '25
Night Drawing

Night is when the imagination comes alive.

2020

Digital Illustration

By Helen He '23
A Sonnet for the Bygone Earth

My artwork is a sonnet in which two stars reminisce about Earth.
Link to Artwork

2023

Poem

By Jenny Xiong '24
Mount Daly

Mount Daly in Snowmass, Colorado

2022

Gouache paint on watercolor paper

By Leela Mahajan '25
Still I Rise

Video edited from found footage reflecting on the repetition, absurdity, and futility of everyday life.
Duration: 05:05

Link to Website

2018

Video Art

By Chun Wang '19
Utopia No. 1

Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”

2018

Paper Maps on Cardboard

By Elias Gálvez-Arango '
People I Met Last Year

These are part of an ongoing series of portraits of people I met in passing. They can be displayed together or individually.

2018

Oil on canvas

By Cathy Yang '20
Main Quad Blues

Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.

2019

Digital Illustration

By Helen He '23
the pith

“the pith” follows an adolescent’s struggle to understand their immigrant mother after their move to America.

Link to Website

2024

Flash Fiction and Digital Illustration

By Priyanka Gupta '25
The Spire of Notre Dame

Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.

2020

Pen and Ink

By Sarah Dong '26
Riven

An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in Chavín de Huántar.

2017

Digital Visual Art

By Andrew Lesh '19
Some kid I found on a Youtube thumbnail

I drew some random kid I found on a Youtube thumbnail. I think it was an Omeleto video.

2019

Colored Pencil on Paper, Digital

By Jessica Lee '22
Ocean Beach Poppies

Bright orange poppies burst into the foreground framed by cool blue houses behind.

2022

Oil paint on panel

By Christina Kent '22
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