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Jenny Xiong '24
My artwork is a sonnet in which two stars reminisce about Earth. Link to Artwork
2023
Poem
By Jenny Xiong '24
Portrait of my friend, a queer black woman, in her room the night of the 2025 election results.
2024
Acrylic on Canvas
Exploring the weary determination of an aged subject shouldering generational burdens. Experimented with earthier and darker tones, deconstruction, an
2022
Oil Paint on Canvas
Pair of multimaterial CNC dragonflies (brass, copper, aluminum, steel). The dragonflies explore age and rebirth through corrosion.
Sculpture
(No description)
Watercolor on Paper
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
Acrylic on canvas
In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.
2016
Photograph
Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.
A self portrait done in the style of the Old Masters.
2014
This work was featured at a solo show with New Image Art in West Hollywood. You are welcome to share any of the work on my Instagram (L.SongWu)
Oil paint on canvas
This is an image of a mushroom found on a trail off Old La Honda Road. I wanted to create a mystical yet comforting feeling surrounding the mushroom.
2018
Photography
These small paintings were quick, gestural sketches that explore the beauty of the feminine form.
Oil on canvas
“David” is a 3D bust loosely based on Michelangelo’s piece of the same name. Inspired by the music video of “Money for Nothing” by Dire Straits.
Blender 3D Render
A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.
Link to Website
2017
code poems
The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.
Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change
acrylic on canvas
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
2020
Scanned magazine collage, colour pencils, and pen on Sketchbook
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
Digital Illustration
I took this photograph in a forrest in Germany. I wonder what the dog is doing right now.
Color Film
I painted a face digitally, and I like frames, angels, and rocket ships.
Digital Art
Giant ladle meant to represent heaven, a room where everyone figured out that to feed themselves, they have to feed each other. + Harley Quinn’s bat
Wood sculpture, Metal Sculpture. Can also display photos attached instead