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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Helen He '23

Undeclared 2023 @artofamagicpineapple

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The Claw

The Claw

After Office Hours

Main Quad at Sundown

Study Cube

Sunset Studying 2

Table for Two

What We Build

Ocean View

After Class Hours

Ocean View

Main Quad Blues

Way After Class Hours

Night Drawing

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đàn-ông.exe

Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.

Link to Website

2024

Video Art

By Han Dao '26
Real Men
Germination

This piece is a manifestation of the growth and maturity, both physically and mentally, found in adolescence. It mimics the flowering of youth.

2018

Photograph of a physical collage (paper, printed image)

By Isabel Benak '22
Humanity in the operating room

These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.

2017

Digital photography

By Soraya Fereydooni '20
Golfing on a Grassy Ground

This is a photograph taken of me practicing golf! I particularly enjoy the lighting and the visual interplay between the golf ball and the clubface.

2018

Photograph of Athletics

By Christian Ostberg '20
Ozymandias

Based on the poem Ozymandias by Percy Bysshe Shelley, this piece was intended to examine the environmental and cultural cost of the fashion industry.

2015

Mixed Media

By Noah DeWald '20
I Feel Like A Big Boy

Moving away from home in a new country has given me independence, and also comes with its responsibilities. This piece was an outburst of this feeling
Link to Artwork

2023

Poetry

By Shlok Sampat '24
I Have A Right To Show My Color, Darling

A collection of 8 poetic pieces that pull from, build upon, and draw inspiration from the Brown queer experience of a drag artist at a PWI.
Link to Artwork
Link to Website

2024

Collection of Poetry

By Zaki Rob '25
Swimming

A contrast between the cold, grayish tones of the subject and the warmer ones of the koi fish as the two tones mesh following the flow of the fish.

2021

Oil Paint on Canvas

By Christina Ba '26
Waste Mismanagement

A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.

2019

Digital illustration and collage

By Elaine Park '21
Glacier Portrait

I made this painting in Iceland as part of my Chappell-Lougee arts project. It is a portrait of a glacier in the glacier lagoon known as Jökulsárlón.

2016

Mixed media (oil paint, charcoal, pastel, grass) on canvas

By Tyler Dunston '18
Time to Spare

I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.

2016

Digital Photograph

By Connor Gilmore '21
Reaching Out

A little boy reaches out to the diver on the other side of the aquarium glass, encapsulated within this innocent moment of hope and harmony.

2020

Acrylic Paint on Canvas

By Sarah Dong '26
A Still from At Bay: Chapter One – How to Start a Startup

At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.

Link to Website

2016

Still from a web series

By Katie Adams '17
untitled (screen painting)

A medium exploration of painting on windows screens.

2018

window screens, oil paint

By Vivienne Le '19
The Claw

Location: The Claw fountain, White Plaza
Part of the virtual 2020 Stanford Gaieties musical scenery.

2020

Digital Illustration

By Helen He '23
Untitled

[how I avoid winter quarter: experiments with colors and a palette knife]

2017

Oil Paint on Canvas

By Meg McNulty '20
Queer Intimacy

These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.

2022

Wood sculpture

By Bryan Defjan '24
Keyword Poetry

A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.

Link to Website

2017

code poems

By Stephanie Niu '19
She’ll make it.

Silhouette of a black woman, breathing her way through.

2020

Acrylic on Canvas

By Brandi Ransom '23
My Many Faces

It is difficult for humans to accept their own flaws and imperfections. This is a self-portrait displaying my many different tones and personalities.

2017

Acrylic on Paper

By Amelia Talkington '22
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