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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Sarah Dong '26

Data Science 2026 @sarahhdong

View All Artwork

Looking Back 2021

A Matter of Time

A Moment at the Louvre

Reaching Out

Sandy Treasures

Sandy Treasures

Cat in Paris

Into the Mist

The Spire of Notre Dame

A Matter of Time

A Moment at the Louvre

Refresh Artwork
Close Modal
Self-portrait

A self-portrait composed of identity objects: rings from my mother, the teapot on my coffee table, the graphic on my favorite t-shirt, etc.

2020

Digital Collage

By Phoebe Kimm '20
Kimchi Jar: An Interactive Poem

This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.

Link to Website

2023

3D Arduino installation, interactive poetry

By Hannah Cha '25
Doorway to Stanford

India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.

2017

Enamel Paint

By Tyler Su '20
Designer

A surreal portrayal of the cost of modern designer fashion culture.

2015

Scratchboard

By Noah DeWald '20
Headdress girl

I met this young girl at a rural health clinic in Indonesia, where she had just given birth.

2014

Pencil and paper

By Elizabeth Hyde '20
Ahina (Juhu, Mumbai – Home)

This painting is in honor of Ahina and all the women that spend years wishing for a day at school.

2017

46″ x 32”

By Vedika Kanchan '23
Free Association Portraits

This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.

2019

Charcoal and Ink on Toned Paper

By Jamie Seney '21
coffee showers

inspired by Mondays, morning showers, and an addiction to caffeine.

2019

Digital illustration

By Elaine Park '21
Nino

A portrait of a good dog who has traveled a very long way.

2020

Acrylic Paint on Canvas

By Anneke Claypool '21
Hide and Seek

I play hide and seek with the scars from a clumsy childhood that my Korean family always told me to hide.

2021

Acrylic Paint on Canvas

By Hannah Cha '25
Confirmation

No Description

2022

Watercolor on Paper

By Lily Thai '27
Symbiosis

The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.

2017

Laser Cut Birchwood

By Kimberly Te '20
Kimchi Jar: An Interactive Poem

This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.

Link to Website

2023

3D Arduino installation, interactive poetry

By Hannah Cha '25
Let Her Eat Cake

I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.

2016

Ink Resist on Paper

By Brooke Ferber '20
Monstera

Aluminum CNC machined monstera leaf inspired bottle opener. I promise it looks better than it sounds.

2024

Sculpture

By Cooper Shea '24
night

An abstract piece with a collage element, created from splicing a collaborative image. It invokes a sense of depth and the condensation of space.

2017

Oil paint and paper on paper

By Cairo Mo '20
Sonic Ovum

This piece started as a blank page and turned into a take on modern ignorance rendered in colored pencil and typewriter ink.
Link to Artwork

2020

colored pencil, poetry

By Sam Howell Petersen '23
Phone Handscapes

The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.

Link to Website

2019

iPhone photographs, collaged on Photoshop

By Katie Han '23
Joshua Tree

A Joshua Tree, with its grotesque appearance, instantly demands attention.

2018

Photograph of Landscape

By Brian Nguyen '21
After Class Hours

Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.

2019

Digital Illustration

By Helen He '23
After Class Hours
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Artwork

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