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Tyler Su '20
An ongoing series attempting to create an emotive instant through color theory principles
2017
Acrylic on Canvas
By Tyler Su '20
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.
2019
Photograph
(No description)
2022
Watercolor on Paper
This piece is a manipulated photograph printed on metal.
Mixed Media on Metal
Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.
2015
Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.
Lucky to witness a green Dish.
Photo
Hide my anger behind flowers // my anxiety behind moths // my sadness behind â–“â–“â–“
Photoshop
I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.
2016
Digital Photograph
The cellphone becomes a monumental, invasive aspect of experiences (especially in nature), yet is so integral in shaping memories.
Link to Website
iPhone photographs, collaged on Photoshop
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
Charcoal and Ink on Toned Paper
Experimentation with natural forms and light.
The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.
Oil paint on canvas
This is a self portrait examining the complex nature of identity through both realistic forms and abstract shapes.
My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.
2021
Acrylic Paint on Canvas
Indigo mountains and a somber gray sky are reflected in the clear water of Lake Tahoe.
Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
2020
Acrylic on canvas
This poem is dedicated to street children in Andhra Pradesh, India, who continue to face extraordinary barriers in education, health, and security. Link to Artwork
Creative Writing (Poetry)
A sketched self-portrait replaced into its photographic context.
Graphite on Paper, Photograph
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
acrylic and mixed media