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Weber Lin '27
These metallic flowers portray our future if we continue to condone industrial heavy metal pollution. Each flower is one of my original designs.
2024
Original origami flowers on red and silver foil paper; Arranged with silk leaves
By Weber Lin '27
This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.
2018
Acrylic paint on canvas
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
Link to Website
2016
Oil on canvas
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
2017
Pen and Marker
A study of a tree for Drawing I in charcoal, exploring silhouettes and shading.
Charcoal on Paper
A colorful view of buildings and the sky over Florence (Firenze).
2014
Oil Paint on Canvas
A light spring shower wakes the soul. Inspired by the Adobe MAX + Inktober 2018 October 15th Prompt: light.
2019
Photoshop
This is a “still life” of the fish market at my local Chinese grocery store. It is a wet, slimy, strange, intimidating, and magnificent place.
2023
Acrylic on Canvas
A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.
Oil paint on Canvas
“the pith” follows an adolescent’s struggle to understand their immigrant mother after their move to America.
Flash Fiction and Digital Illustration
Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.
Video Art
The feet of my former roommate are greeted by the warm light that streams in through the blinds.
2022
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
fine-tip pen and watercolor on paper
Continuation of After Class Hours.
2020
Digital Illustration
A commentary on the fifth stage of grief: acceptance.
2021
The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?
Charcoal on paper; flame on tracing paper
The setting sun casts a firey light onto the skyline of San Francisco, with Coit Tower visible over the hills of the city.
Oil paint on canvas
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
Digital Visual Art
I was inspired by a picture I took of my grandfather when visiting Korea for the first time since immigrating to America in 2001.
Oil on Canvas
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.