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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Hannah Cha '25

Undeclared 2025

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To my Mother’s Heart

Kimchi Jar: An Interactive Poem

Kimchi Jar: An Interactive Poem

Digital Future

Say Cheese!

At the Dinner Table

The Ritual

Hide and Seek

Crushed

Find the Light

Clout Chaser

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Close Modal
The Claw

Location: The Claw fountain, White Plaza
Part of the virtual 2020 Stanford Gaieties musical scenery.

2020

Digital Illustration

By Helen He '23
“Nothing Gold Can Stay”

This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.

2014

Acrylic on canvas 24″x 24″

By Alexis Ivec '21
tide

An observational abstract of seaweed washing onto a beach, brought in by the tide. 24″ x 30″.

2018

Oil paint on canvas

By Cairo Mo '20
Clyde

This piece is of my neighbor’s beagle, Clyde. She has two dogs, and the other is named Bonnie!

2016

Colored pencil

By Angela Liu '23
Some kid I found on a Youtube thumbnail

I drew some random kid I found on a Youtube thumbnail. I think it was an Omeleto video.

2019

Colored Pencil on Paper, Digital

By Jessica Lee '22
Nostalgia

This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.

2017

Oil Paint on Canvas

By Francesca Colombo Colombo '19
Doorway to Stanford

India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.

2017

Enamel Paint

By Tyler Su '20
Andromeda

The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?

2016

Charcoal on paper; flame on tracing paper

By Zhanpei Fang '19
Good Morning

The feet of my former roommate are greeted by the warm light that streams in through the blinds.

2022

Oil on canvas

By Jackie Liu '25
Do electric sheep dream of pet birds?

Androids may dream of electric sheep, and electric sheep …

2022

doodle

By Mingqi Shuai '26
The Ghosts of SKA

This photography series depicts the four indigenous Khmer women at Stanford, invisibility, and the consequent strong community we formed.

Link to Website

2020

Photography Series

By Victoria Chiek '22
đa-ta

Amid noise and glitches, serenity emerges as data flows, lines converge, existing and dissipating simultaneously.

Link to Website

2024

Video Art (with sound)

By Han Dao '26
A Still from At Bay: Chapter One – How to Start a Startup

At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.

Link to Website

2016

Still from a web series

By Katie Adams '17
Into the Mist

Fog drapes over the breathtaking mountain tops and diffuses across the road of Icefields Parkway in Banff National Park, creating a sense of quietude.

2019

Acrylic on Canvas

By Sarah Dong '26
Last Light on Haight St

A classic San Francisco house is bathed in orange light at sunset.

2022

Oil paint on panel

By Christina Kent '22
Arches by Picasso

A sense of colorful peace

2018

painting on computer

By Lining Sun '18
Submersion

Submersion is a painting that experiments with figure in distortion, and blends the organic elements of nature with human form.

Link to Website

2015

Acrylic Paint on Canvas

By Meagan Wu '18
Lassie

I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.

2019

By Gunner Dongieux '21
Sea Slug, Giant Green Anemone, Starfish Scene

These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”

2024

Sea Slug is a woodcut and the other two are etchings.

By Will Pangburn '29
Two versions of my favorite picture of the church

As a landscape photographer, I like to see things in different light.

2016

Photo with artistic editing

By Lining Sun '18
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