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Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.
2016
Colored Pencil
By Meagan Wu '18
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
2022
Acrylic on canvas
By Victoria Hill '20
The great horned owl is found at Stanford and throughout the Americas and is named for its distinctive ear tufts.
2023
machine embroidery on cotton fabric
By Daniel Richman '27
This is a picture a created from 40 raw pictures I took of the same fruit cup. Compiling all 40 images into one allowed me to show everything in focus
2018
Digital Photograph
By Connor Gilmore '21
These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.
2022
Wood sculpture
By Bryan Defjan '24
This work centers on the relationship between the human and the artificial, inspired when I photographed my cousin with a stark, artificial flash.
2023
Oil and Acrylic Paint on Canvas
By Emily Zhang '26
This portrait portrays a friend overlaid and entangled in the swamps of Louisiana near NOLA — her home.
2017
Oil on Canvas
By Francesca Colombo Colombo '19
This is a painting of inception as an artist at the Louvre Museum recreates “The Death of Sardanapalus” by Delacroix, a little boy looking up in awe.
2021
Acrylic on Canvas
By Sarah Dong '26
Self portrait at the height of COVID and my own extraordinary depression.
2020
Oil paint on canvas
By Sophia Siegel '25
As a landscape photographer, I like to see things in different light. These would represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
History is tied to humanity. There is something heartening about a city that takes pride in its past.
2018
acrylic on canvas
By Vedika Kanchan '23
every part of this earth is a surrogate for the people that helped create iteach building reflects the community that built it
2018
Acrylic on Canvas
By Vedika Kanchan '23
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
By Bryan Defjan '24
This 5-page word-art series explores the way emotion and memory lives in the body through experimentation with colour.
2023
Mixed media (watercolor, charcoal pencils, pencil) on sketch paper
By Smiti Mittal '23
I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.
2023
35mm Photography
By Weston Keller '27