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May Levin '24
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
Link to Website
2020
Analog Film
By May Levin '24
Amid noise and glitches, serenity emerges as data flows, lines converge, existing and dissipating simultaneously.
2024
Video Art (with sound)
Abstract photography with the goal of rendering mundane objects unrecognizable.
2018
Photography
A realistic painting of a dog mouth, rendered uncomfortably close to the viewer. 8″ x 10″.
Oil paint on canvas
This piece is a manipulated photograph printed on metal.
2019
Mixed Media on Metal
This symbolizes unity, being made by members of the Black Community. South African word, Umbutu, translates to togetherness or “I am because we are”
2023
Acrylic on Paper
This piece highlights the importance of community and hope in the midst of a pandemic, despite physical separation from others.
Acrylic on Canvas
Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.
2016
Colored Pencil
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
This painting is an interpretation of Magritte’s surrealist painting “The Mysteries of the Horizon,” replacing the men with an aging ballerina.
Acrylic paint on canvas
generational echos is an interactive art piece created using Processing, delving into the deeply ingrained cultural values in Vietnamese society.
Interactive Video Installation
BEAM Stanford-related photos
Digital photographs
This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.
2022
Linoleum Block Print on Paper
A visual exploration of ZIP, a drug currently in development used to treat PTSD by directly erasing targeted memories.
Mixed Media
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
2014
Pencil and paper
A study on ephemeral hands, and an attempt to capture desperate grasping.
Gesso on card.
Inspired by Stanford’s Romanesque architecture and towering palm trees, I wanted to capture the university’s vibrant energy and beauty.
Digital Illustration
This is a self portrait examining the complex nature of identity through both realistic forms and abstract shapes.
Oil on Canvas
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
Photograph
As we were walking through the streets in Rome, my mom noticed the harsh shadows hitting the restaurant in front of us, creating gorgeous colors.
Acrylic Paint on Canvas