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Quotes from an anonymous survey sent out to student dorms are written on prints of photographs of ducks representing Stanford students
2018
Digital photography prints
By Soraya Fereydooni '20
A little boy reaches out to the diver on the other side of the aquarium glass, encapsulated within this innocent moment of hope and harmony.
2020
Acrylic Paint on Canvas
By Sarah Dong '26
This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.
2020
Digital Illustration
By Felicity Huang '25
This piece is a manifestation of the growth and maturity, both physically and mentally, found in adolescence. It mimics the flowering of youth.
2018
Photograph of a physical collage (paper, printed image)
By Isabel Benak '22
Contemplating place in the West, while memories of home in the South persist.
2018
Acrylic on Canvas 40 x 30 in
By Gunner Dongieux '21
This is a picture of the hub of the city getting reflected in the river water.
2021
Acrylic Paint on Canvas
By Dayeeta Pal '27
A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.
2019
Oil paint on Canvas
By Mackenzie Carlson '23
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
2020
Digital Photograph
By Alex Fu '22
The rising sun in the bay turns typically unaesthetic man-made transmission towers into a beautiful contrast of light and dark.
2020
Photography
By Melissa Boswell '21
This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.
2020
Watercolor
By Clementine Chou '20
A self portrait done in the style of the Old Masters.
2014
Oil Paint on Canvas
By Francesca Colombo Colombo '19
This image plays with scale, texture, and the physicality of water.
2016
Color Film
By Chase Porter '17
Our limbs perform so many tasks yet we rarely take a moment to recognize the inner workings that make these movements possible.
2019
Acrylic tube, yarn, metal hardware, wood, epoxy resin
By Savannah Mohacsi '20
This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.
2022
Linoleum Block Print on Paper
By Hannah Cha '25
Light fluctuations through stained glass is always beautiful and ethereal at different times of day.
2025
Photograph of the Stanford Memorial Church
By Vivian Xiao '28