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Annie Ng '20
This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.
2017
Charcoal and Pencil on Paper
By Annie Ng '20
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
Photograph
An ode to a few of many meaningful moments shared with friends over a cafe drink – Coffee at Peet’s, Chai by Meyer Green, and Matcha over Zoom.
2024
Gouache on Paper
The feet of my former roommate are greeted by the warm light that streams in through the blinds.
2022
Oil on canvas
This is a painting for children with scars of violence and broken families. The blue hands are suffocating the girl’s strength to speak up.
2016
acrylic on canvas
(No description)
Watercolor on Paper
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
Digital Visual Art
Series of 22 photographs reimagining tarot cards (Rider-Waite deck Major Arcana), to reflect the diversity and complexity of the contemporary world.
2018
Digital Photographs
generational echos is an interactive art piece created using Processing, delving into the deeply ingrained cultural values in Vietnamese society.
Link to Website
Interactive Video Installation
Roses bloom from her cuts.
Photoshop
Sky River is a digital reinterpretation of Japanese graphic designer Koichi Sato’s style based on minimalist forms and gradients.
2019
Blender 3D render
2021 — a year of uncertainties, breakthroughs, and hope. The nurse at a vaccination site epitomizes this spirit of perseverance and hope.
2021
Acrylic Paint on Canvas
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
Photo
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
2020
Scanned magazine collage, colour pencils, and pen on Sketchbook
(Work in progress) Monstera in grayscale w/ orchre yellow stems
Oil on Canvas
A self portrait done in the style of the Old Masters.
2014
Oil Paint on Canvas
I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.
Ink Resist on Paper
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Based on the poem Ozymandias by Percy Bysshe Shelley, this piece was intended to examine the environmental and cultural cost of the fashion industry.
2015
Mixed Media
Reflective watercolor painting after a trip to Tokyo.
Watercolor