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Bright orange poppies burst into the foreground framed by cool blue houses behind.
2022
Oil paint on panel
By Christina Kent '22
A portrait of a good dog who has traveled a very long way.
2020
Acrylic Paint on Canvas
By Anneke Claypool '21
August on my family’s ranch in Jalisco, México.
2017
Environmental Photographs
By Kamilah Nicalli Arteaga '22
The sky disc’s dynamic effects on viewing the sky were photographically documented over the course of a sunrise and a sunset.
2017
Installation: printed plastic sheeting (pictorico), fishing wire
By Vivienne Le '19
In “Buried,” I used collage and layering to express the haunting suspicion of a seemingly ordinary event. The nostalgia oblivious bliss.
2023
Mixed Media: paper collage with ink and watercolor
By Darren Shiao '27
This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.
2022
Linoleum Block Print on Paper
By Hannah Cha '25
I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.
2016
Ink Resist on Paper
By Brooke Ferber '20
This is an image of a mushroom found on a trail off Old La Honda Road. I wanted to create a mystical yet comforting feeling surrounding the mushroom.
2018
Photography
By Nicholas Robles '20
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
2020
Digital Photograph
By Alex Fu '22
Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.
2018
Photograph
By Suzanne Ou '23
This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.
2020
Watercolor
By Clementine Chou '20
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
2017
Pen and Marker
By Ashi Agrawal '19
I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.
2021
MultiMedia(Charcoal and Colored Pencil)
By Janice Li '24
Abstract portrait that transcends the restrictions of the body and provides the opportunity for anyone of any background to identify with the piece.
2022
Acrylic Paint on Wood
By Aileen Rubio '26
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
2018
Paper Maps on Cardboard
By Elias Gálvez-Arango '
The feet of my former roommate are greeted by the warm light that streams in through the blinds.
2022
Oil on canvas
By Jackie Liu '25
Commenting on our smallness in comparison to all we have to face – be it a pandemic, the vastness of the ocean, or history. Our smallness is humbling
2020
acrylic on cardboard
By Helena Zhang '22