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Kamilah Nicalli Arteaga '22
August on my family’s ranch in Jalisco, México.
Link to Website
2017
Environmental Photographs
By Kamilah Nicalli Arteaga '22
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
2018
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
This piece emerged from a desire to merge figurative and abstract forms. (there are some flaws in the .jpg, if needed I can retake pictures)
2015
Acrylic on Canvas
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
2020
Digital Photograph
Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.
2024
Oil on Canvas
A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.
2019
Digital illustration and collage
Sea Glass is a poem I wrote in high school about fearing going to college. I transformed it into a book with watercolor paintings and text designs.
2023
Art book
My mom took a great photo of these skulls hanging on a tree during my trip to Kenya with my family, and wanted to recreate the image in a painting.
Acrylic Paint on Canvas
I am lucky enough to witness Lagunita being a real lake.
Photo
A study on ephemeral hands, and an attempt to capture desperate grasping.
2014
Gesso on card.
These small paintings were quick, gestural sketches that explore the beauty of the feminine form.
Oil on canvas
This painting is a depiction of my first month here at Stanford.
2022
Water Color on Paper
I wanted to depict the endless possibilities of this world; the one we are so used to taking for granted.
Acrylic on canvas
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.
Photograph
A fun, surreal piece exploring themes related to the modern food industry.
Watercolor on Paper
Princess Going Digital considers queer girlhood on the playground of the laptop screen, a site for unapologetic self-documentation and portraiture.
Gouache on Paper
“I’ve loved you since the day I met you”
Isolation, fear, and uncertainty are themes that come up more in our lives, seen through nighttime photos taken in the woods.
Photography
The emotional turmoil of Fall quarter. As students process their new reality, they long for human connection but also feel empty and purposeless.
2021
A faceless woman in a room of South Vietnamese soldiers
Graphite on Paper
Series highlighting experiences with environmental change, connection to place, and emotional displacement by collaging satellite maps with portraits.
Photography/digital collage