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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Elaine Park '21

Psychology 2021 @elainee.99

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cloudy with a chance of love

coffee showers

Waste Mismanagement

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Close Modal
Banjo

A portrait of a good dog.

2020

Acrylic Paint on Canvas

By Anneke Claypool '21
Vanishing Act II

A digital re-imagining of my piece about humanity’s changing relationship with the natural world.

2015

Mixed Media

By Noah DeWald '20
Dish in layers

Lucky to witness a green Dish.

2017

Photo

By Lining Sun '18
How Small Are We?

Commenting on our smallness in comparison to all we have to face – be it a pandemic, the vastness of the ocean, or history. Our smallness is humbling

2020

acrylic on cardboard

By Helena Zhang '22
Expressions

This song is a unique take on John Coltrane’s ‘Impressions’ in terms of instrumentation, style, and genre.

Link to Website

2016

Guitar recording with electronic drums and synths

By Amit Kohli '20
a ritual for the sky

The sky disc’s dynamic effects on viewing the sky were photographically documented over the course of a sunrise and a sunset.

2017

Installation: printed plastic sheeting (pictorico), fishing wire

By Vivienne Le '19
It’s a brilliant surface in that sunlight

I captured this while camping in Colorado. Upside down the sunrise reflected in the mist covered water reminded me of Earth’s curvature from space.

2015

Digital Photograph

By Cora Cliburn '19
At the Dinner Table

My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.

2021

Acrylic Paint on Canvas

By Hannah Cha '25
body of evidence

This 5-page word-art series explores the way emotion and memory lives in the body through experimentation with colour.

2023

Mixed media (watercolor, charcoal pencils, pencil) on sketch paper

By Smiti Mittal '23
Flavors of Friendship

An ode to a few of many meaningful moments shared with friends over a cafe drink – Coffee at Peet’s, Chai by Meyer Green, and Matcha over Zoom.

2024

Gouache on Paper

By Arethea Lim '24
Arches by Picasso

A sense of colorful peace

2018

painting on computer

By Lining Sun '18
The Claw

Location: The Claw fountain, White Plaza
Part of the virtual 2020 Stanford Gaieties musical scenery.

2020

Digital Illustration

By Helen He '23
Clout Chaser

A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.

Link to Website

2021

Acrylic Paint on Canvas

By Hannah Cha '25
Where Language Begins and Does Not End

An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.

2018

acrylic and mixed media

By Syd Westley '21
The claw (updated)

As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18
˗ˏˋ safe ☽ ˎˊ˗

Two girls, Cloud and Moon, are safe in space.

2018

Photoshop

By Angela He '21
i’ll never cry again

Girl restrains her tears for, hopefully, the last time.

2018

Photoshop

By Angela He '21
Time to Spare

I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.

2016

Digital Photograph

By Connor Gilmore '21
Keyword Poetry

A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.

Link to Website

2017

code poems

By Stephanie Niu '19
Portrait of Queer Person

The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body

2022

Acrylic paint on canvas

By Aileen Rubio '26
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