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Cairo Mo '20
Lush layers of volanoes, forest fires, tsunamis are interwoven with snarling dogs, invoking chaotic and powerful forces of nature. 30″ x 40″.
2018
Oil paint and thread on canvas
By Cairo Mo '20
Video edited from found footage reflecting on the repetition, absurdity, and futility of everyday life. Duration: 05:05
Link to Website
Video Art
My piece comments on the movement of youth in Mexico towards narco culture and the dire implications it has for more traditional aspects the culture.
Acrylic Paint on Canvas
Kaley, my plush fish who represents friendship (each of my friends has one) next to a bottle of medication to celebrate starting recovery recently.
2024
Oil on Canvas
Knowledge allows the mind to bloom.
2022
Digital Illustration
This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.
2014
Acrylic on canvas 24″x 24″
An abstract perspective of a cityscape.
2021
Water Color on Paper
August on my family’s ranch in Jalisco, México.
2017
Environmental Photographs
This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.
2023
3D Arduino installation, interactive poetry
A faceless woman in a room of South Vietnamese soldiers
Graphite on Paper
These small paintings were quick, gestural sketches that explore the beauty of the feminine form.
Oil on canvas
A Joshua Tree, with its grotesque appearance, instantly demands attention.
Photograph of Landscape
Collage exploring feminist and bioethical discussions of reproductive technologies. Previously featured at the Medicine & the Muse Student Symposium. Link to Artwork
print
A love letter to passionate yet high-strung and jaded Generation Z, this series focuses on youth’s struggles to find meaning in today’s online world.
Photography
This short film was submitted as part of my arts portfolio for my Stanford application
Short Film
The girl who depicts prosperity is looking beyond her world into one that’s suppressed by indigence, because to solve a problem you must face it.
acrylic on canvas
These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.
Digital photography
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.
2020
Collage & ink pen
In “closeted”, a silhouette projected onto a bralette in a closet reimagines the queer closeted experience as a positive one.
Projection Installation
A coloring pages for people to color and de-stress:) These pages are part of my project Coloring to Cope for the COVID-19 art grant.
Digital