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Anatomy of the Vogue is a portraiture study of clinical anatomy that bridges human and corpse through a play on the fashion industry.
2016
Colored Pencil
By Meagan Wu '18
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
2024
Sea Slug is a woodcut and the other two are etchings.
By Will Pangburn '29
This poem is dedicated to street children in Andhra Pradesh, India, who continue to face extraordinary barriers in education, health, and security.
Link to Artwork
2019
Creative Writing (Poetry)
By Harika Kottakota '20
inspired by Mondays, morning showers, and an addiction to caffeine.
2019
Digital illustration
By Elaine Park '21
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
Oil on canvas
By Shin Mei Chan '18
Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.
2018
Graphite and watercolor on paper
By Ali Vaughan '19
This piece was made the week before quarantine when everything was uncertain and the weight of not knowing what was to come next hung over our heads.
2020
Boulder & Rope
By Paige Warmington '22
Machines roar and metal parts clang away in the background in this artwork as an enormous robot is constructed before the eyes of a young spectator.
2019
Adobe Photoshop Illustration
By Helen He '23
A study on ephemeral hands, and an attempt to capture desperate grasping.
2014
Gesso on card.
By Katherine Yang '20
A gray tabby cat with timeless, marble-like eyes filled with stories to tell and lessons to share sits near a bush, encapsulating the spirit of Paris.
2019
Colored Pencil
By Sarah Dong '26
These are part of an ongoing series of portraits of people I met in passing. They can be displayed together or individually.
2018
Oil on canvas
By Cathy Yang '20
These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.
2022
Wood sculpture
By Bryan Defjan '24
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
This is a painting of inception as an artist at the Louvre Museum recreates “The Death of Sardanapalus” by Delacroix, a little boy looking up in awe.
2021
Acrylic on Canvas
By Sarah Dong '26
Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.
2017
Watercolor and Pencil
By Alberto Arvayo '18
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
2022
Acrylic on canvas
By Victoria Hill '20
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
2018
Oil Paint on Canvas
By Esther Omole '21