Public Art Installations
Career Pathways
Other Opportunities
People
Connect with us
As a landscape photographer, I like to see things in different light.
2016
Photo with artistic editing
By Lining Sun '18
A self-portrait composed of identity objects: rings from my mother, the teapot on my coffee table, the graphic on my favorite t-shirt, etc.
2020
Digital Collage
By Phoebe Kimm '20
This means “my cabbage” in Russian, and the word also means “money”. This was inspired by a photo from r/peopleofwalmart.
2020
Digital Art
By Majorca "Jorie" Bateman-Coe '20
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
2016
Digital Visual Art
By Andrew Lesh '19
A classic San Francisco house is bathed in orange light at sunset.
2022
Oil paint on panel
By Christina Kent '22
The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.
2019
Photography
By Kelsey Wang '22
Koreanthian is based on merging different architectural styles that transcends geographical, cultural, and historical differences.
2024
Pen & Ink Drawing on Bristol Paper
By Austin Kim '27
This work is made with acrylic on campus in addition to found paper items, medical textbooks, and other materials.
2018
Acrylic paint and multimedia on canvas
By Jorie Coe '22
This drawing was an attempt to capture my feelings about Stanford: an intimidating fortress of possibilities.
2018
Markers on paper
By Alejandro Poler '19
Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.
2023
Charcoal and Mixed Media on Salvaged Cotton and Organza
By Lily Thai '27
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
2018
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
By Nick Love '20
This is the moment when the smallest to the biggest invisibilities came to life, and unity in faith and science was apparent.
2016
Wax Pastel on Wood
By Lia "Bear" Kim '21
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
2022
Acrylic paint on canvas
By Aileen Rubio '26
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
2019
Digital Illustration
By Helen He '23
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
2020
Acrylic on canvas
By Vrinda Suresh '21
This photo was taken in the McMurty Art Building. I used black paint in photoshop to highlight the lights and computer.
2016
Digital Photograph
By Connor Gilmore '21