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Tracy Wei '26
This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.
2020
Colored pencil
By Tracy Wei '26
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
2022
Acrylic on canvas
These pieces draw on the rich beauty of Italy to subvert ideas of what Italian art must be (i.e stuck in the Renaissance).
2017
Pen and Marker
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2018
Photo
Oil on Canvas
Pair of multimaterial CNC dragonflies (brass, copper, aluminum, steel). The dragonflies explore age and rebirth through corrosion.
2024
Sculpture
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
2023
Oil on wood panel
This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”
Vector drawing and photography
This is a photo taken in the Main Quad.
A colorful view of buildings and the sky over Florence (Firenze).
2014
Oil Paint on Canvas
I made this painting with an attempt to capture the vibrant feeling of spring and awakening. It’s a reminder of the beauty and color of life!
Oil on canvas
This is about alienation and emotional expression as a stone, cold figure looks blankly to a wall of artificial expressions in a room.
2021
Digital 3D Render
Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.
Acrylic on canvas, some collage from a news story
Light fluctuations through stained glass is always beautiful and ethereal at different times of day.
2025
Photograph of the Stanford Memorial Church
This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.
2019
Series of Photographs
The emotional turmoil of Fall quarter. As students process their new reality, they long for human connection but also feel empty and purposeless.
Link to Website
Photography
February is a gray month, but these flowers bloomed anyway. Link to Artwork
sublimation print on synthetic blue satin
Series highlighting experiences with environmental change, connection to place, and emotional displacement by collaging satellite maps with portraits.
Photography/digital collage
I sought to express the conflicting emotions-guilt as well as pleasure-associating with eating cake.
2016
Ink Resist on Paper
Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.
Graphite and watercolor on paper
This is a surreal meditation on nature’s comforting power as a sanctuary for people in need of healing.
Pencil on paper