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Tyler Su '20
India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.
2017
Enamel Paint
By Tyler Su '20
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
Link to Website
2016
Oil on canvas
A series of photo edits of everyday moments at Stanford.
Digital Art
This work is about rupture and disruption, whether environmental, familial, or linguistic. I wanted to think visually about over-saturation.
2020
India Ink on Paper
I created a visual representation of the concept of ‘truth’ in a minimalistic style represented by the light and woman’s bare shoulders.
2018
Acrylic paint on canvas
Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.
2019
Oil on Canvas
San Francisco at dusk is illuminated by pinpoints of light on the distant hills.
2022
Oil paint on panel
I am lucky enough to witness Lagunita being a real lake.
Photo
Girl meets whale.
Digital Illustration
A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.
2015
Digital Visual Art
In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.
Photograph
This is a “still life” of the fish market at my local Chinese grocery store. It is a wet, slimy, strange, intimidating, and magnificent place.
2023
Acrylic on Canvas
This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”
Vector drawing and photography
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
This is a study of Auguste Rodin’s “Bust of St. John the Baptist,” in an attempt to capture the densely textured look of the original.
Charcoal, white chalk on toned paper
Quad is always changing amazingly.
I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.
A study of a tree for Drawing I in charcoal, exploring silhouettes and shading.
Charcoal on Paper
Through the intimacy and vulnerability of sleep, I convey my boyfriend’s personality, embodied presence, and imprint – literally and metaphorically.
A love letter to passionate yet high-strung and jaded Generation Z, this series focuses on youth’s struggles to find meaning in today’s online world.
2021
Photography
This poem is dedicated to street children in Andhra Pradesh, India, who continue to face extraordinary barriers in education, health, and security. Link to Artwork
Creative Writing (Poetry)