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Angela He '21
Roses bloom from her cuts.
2018
Photoshop
By Angela He '21
I painted a face digitally, and I like frames, angels, and rocket ships.
2020
Digital Art
This is a picture of the hub of the city getting reflected in the river water.
2021
Acrylic Paint on Canvas
Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.
Link to Website
2016
Photographs
A gray tabby cat with timeless, marble-like eyes filled with stories to tell and lessons to share sits near a bush, encapsulating the spirit of Paris.
2019
Colored Pencil
This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.
2014
Acrylic on canvas 24″x 24″
The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?
Charcoal on paper; flame on tracing paper
This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”
Vector drawing and photography
Silhouette of a black woman, breathing her way through.
Acrylic on Canvas
Princess Going Digital considers queer girlhood on the playground of the laptop screen, a site for unapologetic self-documentation and portraiture.
2023
Gouache on Paper
“Oxymoron” defies norms with the bond between a fierce girl warrior and her majestic dragon companion, embodying unity amidst contrast. Link to Artwork
2024
Watercolors and inkpen on mixed media paper
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
ink on rice paper; poetry
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
2015
Oil on canvas
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.
Digital Visual Art
A watercolor painting of Stanford Campus
Acrylic Painting
A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.
Digital illustration and collage
This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.
Series of Photographs
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.
2022
Wood sculpture
Location: Main Quad
Digital Illustration
These are part of an ongoing series of portraits of people I met in passing. They can be displayed together or individually.