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Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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Performance

Stephen Henderson

Saturday, October 26

 

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Stanford Arts - Momentum

 

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  • Project 562: Natural Wanderment Opening Reception, Native American Cultural Center (photo: Erina Alejo)
  • O-Show: A Capella Showcase 2019 (photo: Michael Byun)
  • WiSh 2020: All the Difference, Ram's Head Theatrical Society (photo: Paulo Makalinao)
  • Breaking Ground 2019, Common Origins (photo: Michael Spencer)
  • Stanford Diwali 2019, Stanford India Association
  • EnCounter Culture 2020: Dv8th Grade, sponsored by Dv8 (photo: Michael Spencer)
  • Flight: Life Between, Bechtel International Center. Art by Jessica Chow
  • Nutcracker 2019, Cardinal Ballet (photo: Lan Zhang)

Student Arts Grants: A Year in Photos 2019-20

This year’s VPA Student Arts Grants supported a wide range of student-initiated collaborative projects across the Stanford campus. Projects ranged from photography, documentary and narrative film, zines, musical theater, dance, contemporary plays, and inviting renowned artists for exhibitions and artist talks serving the student community. 

Students and their project teams represented a wide range of registered student organizations  and campus community centers such as the Bechtel International Center, Institute for Diversity in the Arts, Native American Community Center, El Centro, Hillel@Stanford, Asian American Activities Center, and Women’s Community Center. 

While the COVID-19 pandemic has greatly impacted the global arts landscape, including Student Arts Grants spring awardee projects, the crisis has allowed VPA to rethink the accessibility of its grant programs for the Stanford community. The restructuring also holds to heart the current uprisings reflecting the historical need to combat inequality, systemic injustice, and racial violence that plague our nation. Read the full VPA statement here.

AY20 Awarded Projects:

  • Alpha Epsilon Pi, Fantasies of Judeo-America
  • Asian American Activities Center, When I Was Your Age…:Stories of Revolution
  • Asian American Student Association, Listen to the Silence 2020
  • Bechtel International Center, Flight: Life Between
  • Black Family Gathering Committee, Blackfest
  • Cardinal Ballet Company, Coppélia and Original Works 2020
  • Cardinal Ballet Company, The Nutcracker 2019
  • Common Origins, Breaking Ground 2019
  • Developmental Collective of Alternative Filmmaking (DECAF), Broke Girl Diaries
  • Dv8, EnCounter Culture 2020: Dv8th Grade
  • El Centro Chicano y Latino, Mapping Family History Through Embroidery and Poetry
  • Everyday People, Everyday People Fall Show 2019
  • Institute for Diversity in the Arts, Healing Hayti: An Artistic Intervention of Haitian and Dominican Reconciliation
  • Institute for Diversity in the Arts, NAZAR
  • Institute for Diversity in the Arts, Liberthi’s Vision: A Collaborative Exhibition
  • Kayumanggi, Pilipinx Culture Night 2020
  • Native American Cultural Center, Project 562: Natural Wanderment
  • Ram’s Head Theatrical Society, Pippin
  • Ram’s Head Theatrical Society, Wish 2020: All the Difference
  • Stanford African Student Association, SASA Culture Show
  • Stanford Concert Network, Frost Music Festival
  • Stanford DragTroupe, Drag+
  • Stanford Film Society, yay-rose
  • Stanford India Association, Stanford Diwali 2019
  • Stanford Light Opera Company, Into the Woods
  • Stanford Storyboard Club, Storyboard Club Color Zine
  • Stanford Student Biodesign & Biopharma, PROBE Magazine
  • Stanford Students in Entertainment, Female Trailblazers in Entertainment
  • Stanford Vietnamese Student Association, Culture Night 2020
  • Talisman, O-Show: A Capella Showcase 2019
  • Urban Styles, Spring Show 2020
  • Women’s Community Center, Feminist Narratives Zine Volume 3
Expressions

This song is a unique take on John Coltrane’s ‘Impressions’ in terms of instrumentation, style, and genre.

Link to Website

2016

Guitar recording with electronic drums and synths

By '20
Consumed

This drawing shows the harsh lines of a cityscape being consumed by organic forms, suggesting that, try as we might, we cannot overpower nature.

2017

Ink on Paper

By '20
Which passes through; Life like weeds, no. 3; Standing nude; Up, Simba; Violet light and a hum, no. 2

These collages were created from material gathered from a variety of found sources—primarily Life, National Geographic, and Time magazines.

2020

Collage & ink pen

By '20
Princess Going Digital

Princess Going Digital considers queer girlhood on the playground of the laptop screen, a site for unapologetic self-documentation and portraiture.

2023

Gouache on Paper

By '24
Creative limitation

Growing up in Iran taught me that limitation breed creativity. I tried to embody the same lesson by using alternative printing methods in the darkroom

2016

Black & white photography

By '20
Designer

A surreal portrayal of the cost of modern designer fashion culture.

2015

Scratchboard

By '20
Graphic Life

A series of photo edits of everyday moments at Stanford.

2017

Digital Art

By '19
body of evidence

This 5-page word-art series explores the way emotion and memory lives in the body through experimentation with colour.

2023

Mixed media (watercolor, charcoal pencils, pencil) on sketch paper

By '23
Figure 57

A fun, surreal piece exploring themes related to the modern food industry.

2014

Watercolor on Paper

By '20
Take

I took this photograph in a forrest in Germany. I wonder what the dog is doing right now.

Link to Website

2016

Color Film

By '17
Doorway to Stanford

India to America. When the kids go to school everyday, they can see our own school, and not feel so far, despite being halfway around the world.

2017

Enamel Paint

By '20
Swimming

A contrast between the cold, grayish tones of the subject and the warmer ones of the koi around her as they mesh together following the fish’s flow.

2021

Oil Paint on Canvas

By '26
Metamorphosis

Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article

2018

Studio photography

By '21
The Cabbage Lady

This means “my cabbage” in Russian, and the word also means “money”. This was inspired by a photo from r/peopleofwalmart.

2020

Digital Art

By '20
Where Language Begins and Does Not End

An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.

2018

acrylic and mixed media

By '21
Self-portrait

A self-portrait composed of identity objects: rings from my mother, the teapot on my coffee table, the graphic on my favorite t-shirt, etc.

2020

Digital Collage

By '20
from now on

This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.

2023

ink on rice paper; poetry

By '23
Carnage in the Natural World

This is a collective of poems written while contemplating the relationship between the natural, humans, death, continuity, carnage, and hope.
Link to Artwork

2023

Poetry

By '23
Hidden Gems

This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.

2019

Series of Photographs

By '21
On How to Land a Kiss

This piece explores duality in behavior: relaxing the tongue can provide a positive experience during kissing, but can prove deadly with sleep apnea.
Link to Artwork

2022

Writing

By '25
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