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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Nibha Akireddy '

Bh

Artwork: Bh

2020

Oil on Canvas

By Nibha Akireddy '

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Pepsi Cola

This is how your friend from high school looks at you–knowing you’re different now, knowing she’s different now.

2014

Color Film

By Chase Porter '17
Your Grandpa Kimo Weaves Lauhala

This piece depicts a fictionalized memory of my grandfather, who I only knew through his woven hats and birds passed down through my family.

2023

Oil Paint on Canvas

By Kea Kahoilua Clebsch '26
The Countour

The Countour of White Sands NP

2023

Photograph

By Weilai Yu '22
Beyond the Window

The girl who depicts prosperity is looking beyond her world into one that’s suppressed by indigence, because to solve a problem you must face it.

2017

acrylic on canvas

By Helena Zhang '22
Main Quad Blues

Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.

2019

Digital Illustration

By Helen He '23
Free Association Portraits

This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.

2019

Charcoal and Ink on Toned Paper

By Jamie Seney '21
a ritual for the sky

The sky disc’s dynamic effects on viewing the sky were photographically documented over the course of a sunrise and a sunset.

2017

Installation: printed plastic sheeting (pictorico), fishing wire

By Vivienne Le '19
Hidden Gems

*sixth photograph of Hidden Gems series

2019

Series of Photographs

By Laura Anderson '21
Renowned Bodies

This work is a triptych of body parts from several acclaimed works by Renaissance artists. The famous works are reimagined in a modern style.

2018

Acrylic Paint on Canvas

By Susy Manrique '19
The Claw

Location: The Claw fountain, White Plaza
Part of the virtual 2020 Stanford Gaieties musical scenery.

2020

Digital Illustration

By Helen He '23
Girl, Boy, Beautiful

This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.

2019

Photograph/Scanned Image

By Jacqueline Garcia Peraza '21
coffee showers

inspired by Mondays, morning showers, and an addiction to caffeine.

2019

Digital illustration

By Elaine Park '21
Sea Glass

Sea Glass is a poem I wrote in high school about fearing going to college. I transformed it into a book with watercolor paintings and text designs.

2023

Art book

By Chloe Chang '25
Photograph of the Campus

This is a photo taken in the Main Quad.

2018

This is a photo taken in the Main Quad.

By Cuiping Cai '22
Confirmation

No Description

2022

Watercolor on Paper

By Lily Thai '27
Streebal: Stories of Women and Power (Pre-show photoshoot)

In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.

2016

Photograph

By Robin Willscheidt '19
BLOOD IN THE SAND: LIVES LOST IN THE FIGHT FOR SOUTH AFRICA’S RHINOS

Photojournalistic exploration of the human impact of rhino poaching in South Africa – done in Prof Sue McConnell’s overseas seminar in Summer 2016.

Link to Website

2016

Photographs

By Kinjal Vasavada '17
No RECAmpense

I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.

2023

35mm Photography

By Weston Keller '27
Visions of Separation

The emotional turmoil of Fall quarter. As students process their new reality, they long for human connection but also feel empty and purposeless.

Link to Website

2021

Photography

By Bryan Defjan '24
bite back

A realistic painting of a dog mouth, rendered uncomfortably close to the viewer. 8″ x 10″.

2018

Oil paint on canvas

By Cairo Mo '20
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