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Nibha Akireddy '
2020
Oil on Canvas
By Nibha Akireddy '
This is how your friend from high school looks at you–knowing you’re different now, knowing she’s different now.
2014
Color Film
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
Acrylic on canvas
Location: Main Quad
2023
Digital Illustration
An abstract piece with a collage element, created from splicing a collaborative image. It invokes a sense of depth and the condensation of space.
2017
Oil paint and paper on paper
This short film was submitted as part of my arts portfolio for my Stanford application
Link to Website
2021
Short Film
My piece comments on the movement of youth in Mexico towards narco culture and the dire implications it has for more traditional aspects the culture.
2018
Acrylic Paint on Canvas
My mom took a great photo of these skulls hanging on a tree during my trip to Kenya with my family, and wanted to recreate the image in a painting.
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
This is a painting I did for the Congressional Art Competition. The painting is of my mother’s horse JR on my last ride on him before he died.
Acrylic on canvas 24″x 24″
A ghostly woman draped in a silk shawl and pearls.
2022
Charcoal
Through the intimacy and vulnerability of sleep, I convey my boyfriend’s personality, embodied presence, and imprint – literally and metaphorically.
Oil on canvas
A mother lamb takes gentle care of her newborn.
2019
Oil Paint on Canvas
Knowledge allows the mind to bloom.
A digital re-imagining of my piece about humanity’s changing relationship with the natural world.
2015
Mixed Media
In a knife fight, two versions of me grapple and wrestle for control, but both end up symmetrically and simultaneously triumphant and defeated.
Oil paint on found wood
Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.
Charcoal and Mixed Media on Salvaged Cotton and Organza
The tradition of monuments uplifts cishet white men through idealized, bodily depictions of men, but queerness transcends the restrictions of the body
Acrylic paint on canvas
How do you heal after being discarded?
Acrylic on Canvas
An exploration of the intergenerational and varied manifestations of Japanese internment on the self, the body, the family, and language.
acrylic and mixed media
This work is based off of a found photo archive of World War I era battle photographs. It is from a series that investigates the role of the soldier.
2016
Acrylic, charcoal, and india ink on paper