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Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.
2019
Photograph
By Yifei He '22
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
By Bryan Defjan '24
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
2017
Photo
By Lining Sun '18
I took this photo at the Palo Alto Caltrain station in the fall. I used black ink and a black and white filter to provide an “outside of time” look.
2016
Digital Photograph
By Connor Gilmore '21
Two paintings exploring emptiness and isolation, and confronting feelings of lack of control during the early stages of the pandemic.
2021
Acrylic on canvas, some collage from a news story
By Vrinda Suresh '21
This painting is in honor of Ahina and all the women that spend years wishing for a day at school.
2017
46″ x 32”
By Vedika Kanchan '23
Location: Law School terrace
2020
Digital Illustration
This piece grapples with the difficulty of forgiveness. Opposing forces compete: luminosity and shadow, serenity and grief, redemption and regression.
2022
Oil on canvas
By Jackie Liu '25
This painting was an exercise to try and use simple, yet bold brushstrokes to capture the essence of the moment.
2018
Oil paint on canvas
By Madeleine Yip '02
A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″
2017
Oil paint on paper
By Cairo Mo '20
Metamorphosis explores queerness as a transformation, as more than just a sexual identity. See http://stanfordmint.com/metamorphosis/ for full article
2018
Studio photography
By Jessica Yeung '21
Giant ladle meant to represent heaven, a room where everyone figured out that to feed themselves, they have to feed each other. + Harley Quinn’s bat
2023
Wood sculpture, Metal Sculpture. Can also display photos attached instead
By Saanvi Bhatia '27
This is the first of an ongoing watercolor series completed under shelter-in-place, based on photos that friends have sent of their favorite views.
2020
Watercolor
By Clementine Chou '20
A wristwatch lies across a keyboard with numbers juxtaposing letters, emphasizing how some things are not meant to be rushed and will happen in time.
2019
Acrylic on Canvas
By Sarah Dong '26
Kumari, the living Goddess of Nepal, is not allowed to speak to those who worship her, yet her glowing eyes depict that she has so much to tell us.
2022
Graphite
By Nisha Acharya '26