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Student Artist
Mathematical and Computational Science 2020
It’s a shame if you did not get around time to see Hoover Tower in different lights.
2018
Photo
This series utilizes seemingly arbitrary visual imagery overlaid onto written stream of consciousness to evoke imaginations of trauma and healing.
2019
Charcoal and Ink on Toned Paper
The piece is inspired geometric subdivision, tessellations and fractals, fusing representations from Chinese, Japanese, and Japanese symbolisms.
2017
Laser Cut Birchwood
I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.
2023
35mm Photography
This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.
2022
Linoleum Block Print on Paper
A watercolor painting of Stanford Campus
Link to Website
Acrylic Painting
This is a self portrait examining the complex nature of identity through both realistic forms and abstract shapes.
2016
Acrylic on Canvas
Location: Lathrop 24/7 Study Room
Digital Illustration
I painted a face digitally, and I like frames, angels, and rocket ships.
2020
Digital Art
The rising sun in the bay turns typically unaesthetic man-made transmission towers into a beautiful contrast of light and dark.
Photography
The great horned owl is found at Stanford and throughout the Americas and is named for its distinctive ear tufts.
machine embroidery on cotton fabric
“I’ve loved you since the day I met you”
The feet of my former roommate are greeted by the warm light that streams in through the blinds.
Oil on canvas
These monotype prints are based on historical photos of imperial palaces in Beijing, my hometown.
monotype on paper
With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.
Oil on wood panel
Mount Daly in Snowmass, Colorado
Gouache paint on watercolor paper
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.
Photograph
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
A little boy reaches out to the diver on the other side of the aquarium glass, encapsulated within this innocent moment of hope and harmony.
Acrylic Paint on Canvas
This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.
Markers on paper