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May Levin '24
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
Link to Website
2020
Analog Film
By May Levin '24
Impressions of animal magnetism and the collective unconscious.
2017
Digital Visual Art
This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”
Vector drawing and photography
Knowledge allows the mind to bloom.
2022
Digital Illustration
Inspired by individuality and body empowerment. Work focuses on abstraction of human form and color.
2019
Acrylic on canvas
I created a visual representation of the concept of ‘truth’ in a minimalistic style represented by the light and woman’s bare shoulders.
2018
Acrylic paint on canvas
A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″
Oil paint on paper
A cat in a Japanese restaurant.
3D computer graphics
This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.
Oil Paint on Canvas
This interactive poem takes the shape of a kimchi jar and symbolizes my separation and recent reunion and celebration of my Korean identity.
2023
3D Arduino installation, interactive poetry
I use this artwork to ask, “What has become of our childhood innocence?”
ink on paper, collage
This is a painting of a memory of a moment of me and my boyfriend in his hot tub, right before he told me he loved me for the first time.
I wanted to depict the endless possibilities of this world; the one we are so used to taking for granted.
Taken at Baylands Nature Preserve during one of the field trips of MI 70Q: Photographing Nature, featuring a student and a community member.
Photograph
I made these photos at the abandoned Oppenheimer film set in Ghost Ranch, NM. Downwinders in NM harmed by test radiation remain uncompensated by RECA.
35mm Photography
This is a collective of poems written while contemplating the relationship between the natural, humans, death, continuity, carnage, and hope. Link to Artwork
Poetry
A realistic painting of a dog mouth, rendered uncomfortably close to the viewer. 8″ x 10″.
Oil paint on canvas
These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.
Digital photography
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
2024
Sea Slug is a woodcut and the other two are etchings.
Colorful shapes of San Francisco buildings are highlighted by a bright sunny day.
This is the place no one would want to miss.
Photo