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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Anushikha Anushikha '25

MS in MS&E 2025 @https://www.instagram.com/hues_and_more/

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Stanford through an artist’s eyes

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Self-portrait

While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.

2017

Photograph

By Julianna Yonis '21
Lake Nakuru

My mom took a great photo of these skulls hanging on a tree during my trip to Kenya with my family, and wanted to recreate the image in a painting.

2017

Acrylic Paint on Canvas

By Angela Liu '23
Sunset Studying 2

Location: East Asia Library

2021

Digital Illustration

By Helen He '23
Not Yet

An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.

2016

Digital Visual Art

By Andrew Lesh '19
A Sonnet for the Bygone Earth

My artwork is a sonnet in which two stars reminisce about Earth.
Link to Artwork

2023

Poem

By Jenny Xiong '24
Joshua Tree

A Joshua Tree, with its grotesque appearance, instantly demands attention.

2018

Photograph of Landscape

By Brian Nguyen '21
Train Wreck

I use this artwork to ask, “What has become of our childhood innocence?”

2019

ink on paper, collage

By Helena Zhang '22
Ozymandias

Based on the poem Ozymandias by Percy Bysshe Shelley, this piece was intended to examine the environmental and cultural cost of the fashion industry.

2015

Mixed Media

By Noah DeWald '20
Ritual

“Ritual” is an unfinished game prototype that is one piece of a meta-narrative that unfolds as the viewer explores the file directory containing it.

Link to Website

2020

Interactive narrative horror game/file explorer experience

By Noah DeWald '20
Heal

This is a surreal meditation on nature’s comforting power as a sanctuary for people in need of healing.

2022

Pencil on paper

By Bryan Defjan '24
Security Blanket

The security blanket is a metaphor for something we cling to when we are afraid and how it is something we must learn to let it go.

Link to Website

2019

Photography

By Kelsey Wang '22
Say Cheese!

This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.

2022

Linoleum Block Print on Paper

By Hannah Cha '25
Green Library -3

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2018

Photo

By Lining Sun '18
Rancho de San Luis, JAL, MX

August on my family’s ranch in Jalisco, México.

Link to Website

2017

Environmental Photographs

By Kamilah Nicalli Arteaga '22
“Vast, grafted monoculture”

This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”

2020

Vector drawing and photography

By Vrinda Suresh '21
Community

Taken at Baylands Nature Preserve during one of the field trips of MI 70Q: Photographing Nature, featuring a student and a community member.

2019

Photograph

By Yifei He '22
đa-ta

Amid noise and glitches, serenity emerges as data flows, lines converge, existing and dissipating simultaneously.

Link to Website

2024

Video Art (with sound)

By Han Dao '26
At the Dinner Table

My family, despite being cramped in a bungalow room that was our home, share warmth and happiness beyond understanding.

2021

Acrylic Paint on Canvas

By Hannah Cha '25
Yanofsky’s Legacy

Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.

2018

Photograph

By Suzanne Ou '23
Newborn

A mother lamb takes gentle care of her newborn.

2019

Oil Paint on Canvas

By Tracy Wei '26
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