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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Anushikha Anushikha '25

MS in MS&E 2025 @https://www.instagram.com/hues_and_more/

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Stanford through an artist’s eyes

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Close Modal
bubbleUp

The central focus of these prints is the vibrant potato starch granule depicted under polarized light and how its shape and colors are manipulated.

2023

Algorithmic Art made with Processing

By Krystal Li '26
America – You Confusing Beauty

Observing simple, everyday practices in a new country and being dumbfounded by them led me to write this piece on everyday norms and practices here
Link to Artwork

2022

Poetry

By Shlok Sampat '24
let it out;

Cool portrait of girl trying to keep in her tears.

2018

Photoshop

By Angela He '21
hide my emotions

Hide my anger behind flowers // my anxiety behind moths // my sadness behind ▓▓▓

2018

Photoshop

By Angela He '21
(un)grounded

Series highlighting experiences with environmental change, connection to place, and emotional displacement by collaging satellite maps with portraits.

2022

Photography/digital collage

By Vrinda Suresh '21
Digital Future

This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.

2022

Linoleum Block Print on Paper

By Hannah Cha '25
“Vast, grafted monoculture”

This piece explores repetition, but also sense of self (or selves). The title is a quote from Michael Pollan’s “Botany of Desire.”

2020

Vector drawing and photography

By Vrinda Suresh '21
Clout Chaser

A reflection of my Korean heritage in the new digital age, and how technology distorts my self-perception and my relationship with my culture.

Link to Website

2021

Acrylic Paint on Canvas

By Hannah Cha '25
Urban Constellations

San Francisco at dusk is illuminated by pinpoints of light on the distant hills.

2022

Oil paint on panel

By Christina Kent '22
Art at Stanford

As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.

2017

Photo

By Lining Sun '18
Killer in the Sun

A three panel survey of a new environment.

2018

Acrylic on Canvas (Three 5ft x 4ft panels) 60 x 144 in

By Gunner Dongieux '21
SJC Logo Redesign

SJC redesign – inspired by bold ‘Mod’ textiles, rooted in the London-based 1960’s ‘Mod’ fashion and music subculture centered around modern jazz.

2016

Graphic Design and Print

By Tyler Su '20
self – portrait

This piece is a self-portrait that puts emphasis on gaze and light to convey a subject that is emerging from the shadows.

2018

Oil Paint on Canvas

By Esther Omole '21
To my Mother’s Heart

This 3D, interactive piece represents my relationship with my immigrant other due to the shifting pressures of assimilation.

Link to Website

2023

Interactive 3D animation installation

By Hannah Cha '25
Nicollette (Venice, Italy)

Stillness, the relationship between Venice’s constant landscape and its moving parts, environments of order that have witnessed extravagant change

2018

acrylic on canvas

By Vedika Kanchan '23
Sunset Studying 2

Location: East Asia Library

2021

Digital Illustration

By Helen He '23
Untitled

[how I avoid winter quarter: experiments with colors and a palette knife]

2017

Oil Paint on Canvas

By Meg McNulty '20
Vanishing Act II

A digital re-imagining of my piece about humanity’s changing relationship with the natural world.

2015

Mixed Media

By Noah DeWald '20
Untitled (Study for St. Sebastian) and Untitled (Study for Gabriel)

Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.

2018

Graphite and watercolor on paper

By Ali Vaughan '19
Father Sometime Ago

Who are our parents before our births? I wanted to use painting to meditate on loss concretized as memory.

2019

Oil on Canvas

By Regina Kong '22
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