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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Anushikha Anushikha '25

MS in MS&E 2025 @https://www.instagram.com/hues_and_more/

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Stanford through an artist’s eyes

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Childhood Silence

This is a painting for children with scars of violence and broken families. The blue hands are suffocating the girl’s strength to speak up.

2016

acrylic on canvas

By Helena Zhang '22
After Office Hours

Location: Main Quad

2020

Digital Illustration

By Helen He '23
Mount Daly

Mount Daly in Snowmass, Colorado

2022

Gouache paint on watercolor paper

By Leela Mahajan '25
Focus

Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.

2019

Photograph

By Yifei He '22
Water City

A fantastical city illustrating a water-based transportation system.

2020

Digital painting

By Catherine Mullings '22
Ahina (Juhu, Mumbai – Home)

This painting is in honor of Ahina and all the women that spend years wishing for a day at school.

2017

46″ x 32”

By Vedika Kanchan '23
Flames

A study on ephemeral hands, and an attempt to capture desperate grasping.

2014

Gesso on card.

By Katherine Yang '20
Lagunita

I am lucky enough to witness Lagunita being a real lake.

2017

Photo

By Lining Sun '18
Girl, Boy, Beautiful

This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.

2019

Photograph/Scanned Image

By Jacqueline Garcia Peraza '21
Figure 57

This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.

2014

fine-tip pen and watercolor on paper

By Noah DeWald '20
bite back

A realistic painting of a dog mouth, rendered uncomfortably close to the viewer. 8″ x 10″.

2018

Oil paint on canvas

By Cairo Mo '20
Portrait of a Queer Person

Abstract portrait that transcends the restrictions of the body and provides the opportunity for anyone of any background to identify with the piece.

2022

Acrylic Paint on Wood

By Aileen Rubio '26
The Cat and the Fish

A cat in a Japanese restaurant.

2019

3D computer graphics

By Yifei He '22
Live This One // Vivelo

This series is meant to bring inspiration, energy and presence to the broader community during a difficult time of shelter-in-place and quarantine.

2020

Acrylic gouache on Yupo Polypropylene Paper

By Sonia Garcia '21
Self-portrait

A self-portrait composed of identity objects: rings from my mother, the teapot on my coffee table, the graphic on my favorite t-shirt, etc.

2020

Digital Collage

By Phoebe Kimm '20
Waste Mismanagement

A collage with the background of a digital re-illustration of Hokusai’s The Great Wave Off Kanagawa to portray our poor disregard and care of Earth.

2019

Digital illustration and collage

By Elaine Park '21
Death of Chaos

A portrayal of the death of Chaos as depicted in the Zhuangzi, who expired after Shu and Hu bored a new hole into him each day for seven days.

2015

Digital Visual Art

By Andrew Lesh '19
Bird Watching

Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.

2019

Photograph

By Yifei He '22
Lake Nakuru

My mom took a great photo of these skulls hanging on a tree during my trip to Kenya with my family, and wanted to recreate the image in a painting.

2017

Acrylic Paint on Canvas

By Angela Liu '23
Lost Between Worlds

Taken in Alberta, Canada. My hope is not to showcase landscapes but to acknowledge that Earth’s beauty surrounds us.

2017

Photograph

By Helen Liu '20
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