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Anushikha Anushikha '25
A watercolor painting of Stanford Campus
Link to Website
2023
Acrylic Painting
By Anushikha Anushikha '25
The Countour of White Sands NP
Photograph
This is a portrait of a cat whom I love and cherish.
2019
Oil on canvas
(No description)
2022
Watercolor on Paper
“I’ve loved you since the day I met you”
Acrylic on Canvas
An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I assemble impressions gathered during my time in Chavín de Huántar.
2017
Digital Visual Art
These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.
2018
oil on cnavs
Whales and dolphins were my favorite animals when I was younger. In this piece, dark shadows contrasted by blue hues highlight that childhood bond.
Adobe Photoshop Illustration
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
Both works are depictions of traditional Catholic religious figures figured through an assemblage of inanimate objects.
Graphite and watercolor on paper
Girl restrains her tears for, hopefully, the last time.
Photoshop
I play hide and seek with the scars from a clumsy childhood that my Korean family always told me to hide.
2021
Acrylic Paint on Canvas
“Ritual” is an unfinished game prototype that is one piece of a meta-narrative that unfolds as the viewer explores the file directory containing it.
2020
Interactive narrative horror game/file explorer experience
Cool portrait of girl trying to keep in her tears.
I catch lightning bugs, flitting moments often overlooked, and bring attention to them, so that they might spark a lightbulb in the minds of others.
MultiMedia(Charcoal and Colored Pencil)
This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.
Photograph/Scanned Image
This image plays with scale, texture, and the physicality of water.
2016
Color Film
A process exploration of dye sublimation to print the iconic “Bliss” wallpaper of the operating system Windows XP onto constructed shutters.
Sculpture: wood, white house paint, printed acrylic sheet, venetian window structure
Serenity from within results from letting go.
2014
Watercolor
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
Digital Photograph
Original cover art for the Stanford Daily’s Vol. 257 autumn quarter issue.
Digital Illustration