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Student Artist
Environmental Anthropology, Dance 2019 @cliburnius
This solo play premiered in Edinburgh Fringe Festival in 2022 and made its US debut in New York City where I won the award for ‘Best Emerging Actor’
Link to Website
2023
Photograph of Performance (solo play)
These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.
2022
Wood sculpture
Originally meant as a study of diffused light in a “nocturne” scene, this piece is a take on portraiture, figures, and landscape in one.
2020
Oil Paint on Canvas
Representation of an Asian woman navigating a worldwide pandemic, situated in the centre of racial prejudice, capitalism, & social media connectivity.
Scanned magazine collage, colour pencils, and pen on Sketchbook
These three prints depict tide pool scenes in Moss Beach, CA. They are part of a series, “From Puddles to Pools: A Showcase of Marine Invertebrates.”
2024
Sea Slug is a woodcut and the other two are etchings.
I painted a woman who is battered but is pushing herself back up with resiliency. She sends a message of hope to those facing difficulties.
2017
acrylic on wood
How do you heal after being discarded?
2021
Acrylic on Canvas
This self portrait depicts how your initial view of the world glitches, or shatters as different experiences come with growing up.
Colored pencil
“the pith” follows an adolescent’s struggle to understand their immigrant mother after their move to America.
Flash Fiction and Digital Illustration
A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.
2019
Oil paint on Canvas
These two paintings were inspired by the feelings of quarantine—isolation, restlessness, and nostalgia.
gouache (two images combined digitally)
She wipes the mask off after a long day.
2018
Photoshop
My IUD made me bleed for 8 months straight, gave me terrible cramps, and made me depressed. After finally getting it removed, I made art with it.
Oil paint, acrylic paint, and IUD on wood panel
Inspired by the strange reflection of an empty glass sitting on a table, this is a piece is about power and powerlessness—control and lack of it.
Acrylic on canvas
BEAM Stanford-related photos
Digital photographs
A faceless woman in a room of South Vietnamese soldiers
Graphite on Paper
At Bay is a student-created web series about the launch of a Stanford startup that goes horribly, horribly wrong.
2016
Still from a web series
This is how your friend from high school looks at you–knowing you’re different now, knowing she’s different now.
2014
Color Film
Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.
Video Art
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo