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Kamilah Nicalli Arteaga '22
August on my family’s ranch in Jalisco, México.
Link to Website
2017
Environmental Photographs
By Kamilah Nicalli Arteaga '22
In a pre-show photoshoot for my roommate’s student classical Indian dance ensemble, Noopur, she “breaks character” during a pose.
2016
Photograph
A study of a tree for Drawing I in charcoal, exploring silhouettes and shading.
2018
Charcoal on Paper
This self-portrait draws on the iconography of the Virgin of Guadalupe that I, as a latina, have a deeply personal, non-religious, relationship with.
Oil Paint on Canvas
This painting is in honor of Ahina and all the women that spend years wishing for a day at school.
46″ x 32”
These works were primarily crafted from fashion, science, and interior design magazines ranging from the early 90s to present.
2019
Collage, ink pen
Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.
Watercolor and Pencil
Our limbs perform so many tasks yet we rarely take a moment to recognize the inner workings that make these movements possible.
Acrylic tube, yarn, metal hardware, wood, epoxy resin
This painting speaks to how beauty lies in impermanence, contrasting eternal mountains and passing mist.
2023
ink on rice paper; poetry
Knowledge allows the mind to bloom.
2022
Digital Illustration
As a landscape photographer, I like to see things in different light. These represent my personal interpretation of Stanford.
Photo
This work is based off of a found photo archive of World War I era battle photographs. It is from a series that investigates the role of the soldier.
Acrylic, charcoal, and india ink on paper
These pictures were taken during a neurosurgery at Stanford’s Lucile Packard Children hospital.
Digital photography
Girl meets whale.
The Countour of White Sands NP
Location: The Claw fountain, White Plaza Part of the virtual 2020 Stanford Gaieties musical scenery.
2020
This piece depicts how TikTok primarily portrays a fetishized version of Asian women, leading to an uncertain digital future of complicated dynamics.
Linoleum Block Print on Paper
I painted a face digitally, and I like frames, angels, and rocket ships.
Digital Art
I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.
Watercolor on Paper
Vero is a UG2 custodial worker on campus who I tutor through habla. I hoped to display her as I have grown to know her: strong and compelling.
Vials of yeast samples are the remaining evidence of Dr. Charles Yanofsky, a noted faculty and geneticist who passed away in 2018.