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Noah DeWald '20
Experimentation with natural forms and light.
2018
Photograph
By Noah DeWald '20
Thousands of stippled dots layer on each other to create each gargoyle and rooftop, coming together to reveal the magnificent, historical spire.
2020
Pen and Ink
I painted one piece for each type of binaural beat to test the hypothesis, “distinct beat = distinct effect.” Conclusion? It didn’t really pan out.
Watercolor on Paper
I was inspired by a picture I took of my grandfather when visiting Korea for the first time since immigrating to America in 2001.
2023
Oil on Canvas
These photographs were taken in Aegina, Greece. During ancient times Aegina was a rival of Athens, the great sea power of the era.
2019
Digital Photographs
I made this painting in Iceland as part of my Chappell-Lougee arts project. It is a portrait of a glacier in the glacier lagoon known as Jökulsárlón.
2016
Mixed media (oil paint, charcoal, pastel, grass) on canvas
Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.
2022
Wood Sculpture
History is tied to humanity. There is something heartening about a city that takes pride in its past.
acrylic on canvas
This is a theatrical self portrait. Fractured light plays off a calm, restrained figure, creating tension and a sense of impending violence. 24″ x 30″
Oil paint on canvas
Inspired by a trip to explore the nature preserves in Mass Landing, CA, this art showcases two curlew birds looking for food in the shallow waters.
2017
Watercolor and Pencil
This 5-page word-art series explores the way emotion and memory lives in the body through experimentation with colour.
Mixed media (watercolor, charcoal pencils, pencil) on sketch paper
The emotional turmoil of Fall quarter. As students process their new reality, they long for human connection but also feel empty and purposeless.
Link to Website
2021
Photography
Body painting is used to simulate the patient-doctor relationship. Imagery is inspired by anatomy and the model’s bodily experiences.
Body Paint on Skin
Photo series capturing California’s landscapes and the impacts of human intervention through 35mm film.
Analog Film
This symbolizes unity, being made by members of the Black Community. South African word, Umbutu, translates to togetherness or “I am because we are”
Acrylic on Paper
Often, I find myself missing the changing of seasons. But if I just look closely, signs of autumn are all around.
Nature Photography
A study on ephemeral hands, and an attempt to capture desperate grasping.
2014
Gesso on card.
This project was done on a ten-day summer trip to my family’s ranch.
Environmental Photographs
This is a study of Auguste Rodin’s “Bust of St. John the Baptist,” in an attempt to capture the densely textured look of the original.
Charcoal, white chalk on toned paper
This piece is a portrait of a friend that overlays an island near the Philippines that has a deep personal association for her from her time there.
Oil Paint on Canvas
Released some restless energy onto paper with this portrait sketch.
Graphite on Paper