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Angela He '21
Girl restrains her tears for, hopefully, the last time.
2018
Photoshop
By Angela He '21
This is a painting of inception as an artist recreates a Delacroix masterpiece, “The Death of Sardanapalus” with a little boy looking up in awe.
2021
Acrylic Paint on Canvas
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
2020
Digital Photograph
Fog drapes over the breathtaking mountain tops and diffuses across the road of Icefields Parkway in Banff National Park, creating a sense of quietude.
2019
Acrylic on Canvas
I wanted to render a tree during a vibrant morning on The Farm from a design perspective.
2016
Ink Resist
Released some restless energy onto paper with this portrait sketch.
Graphite on Paper
[how I avoid winter quarter: experiments with colors and a palette knife]
2017
Oil Paint on Canvas
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
Photo
A classic San Francisco house is bathed in orange light at sunset.
2022
Oil paint on panel
Sea Glass is a poem I wrote in high school about fearing going to college. I transformed it into a book with watercolor paintings and text designs.
2023
Art book
Whales and dolphins were my favorite animals when I was younger. In this piece, dark shadows contrasted by blue hues highlight that childhood bond.
Adobe Photoshop Illustration
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
Paper Maps on Cardboard
This series was taken at the Smithsonian Natural History Museum’s Butterfly Pavilion.
Series of Photographs
This is a collective of poems written while contemplating the relationship between the natural, humans, death, continuity, carnage, and hope. Link to Artwork
Poetry
Continuation of After Class Hours.
Digital Illustration
An exploration of nature’s healing power as an avenue for escapism and introspection.
Ballpoint and pencil on paper
This artwork examines the place of genetically modified organisms in modern society and how we view them, blurring the line between item and organism.
2014
fine-tip pen and watercolor on paper
I use this artwork to ask, “What has become of our childhood innocence?”
ink on paper, collage
A depiction of the Southeast Alaskan landscape, seen from a kayak near the Inian Islands. 25.5″ x 36″
Oil paint on paper
A series of photo edits of everyday moments at Stanford.
Digital Art