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Anushikha Anushikha '25
A watercolor painting of Stanford Campus
Link to Website
2023
Acrylic Painting
By Anushikha Anushikha '25
A series of poems written exclusively with programming keywords. An investigation on language, audience, and dangerous English-centric thinking.
2017
code poems
Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring IntroSem students and Continuing Studies students.
2019
Photograph
While at SFMOMA with Stanford’s ITALIC program, I created this self-portrait to explore the merging of technology with my image of self.
The Andromeda constellation re-imagined, through drawing, through burning holes in paper; how do we impose humanity upon the stars?
2016
Charcoal on paper; flame on tracing paper
A love letter to passionate yet high-strung and jaded Generation Z, this series focuses on youth’s struggles to find meaning in today’s online world.
2021
Photography
Released some restless energy onto paper with this portrait sketch.
2020
Graphite on Paper
Isolation, fear, and uncertainty are themes that come up more in our lives, seen through nighttime photos taken in the woods.
A portrait of a good dog.
Acrylic Paint on Canvas
August on my family’s ranch in Jalisco, México.
Environmental Photographs
An experiment with my visual synesthesia, which imparts color on 2D shapes. This piece intends to instill a sense of curious serenity.
Digital Visual Art
I met this young girl at a rural health clinic in Indonesia, where she had just given birth.
2014
Pencil and paper
A portrait of a good dog who has traveled a very long way.
A mixed-media interactive piece installed at Stanford’s annual “Frost Festival”. The piece embodies Stanford’s goals of inclusion and diversity.
2018
Acrylic, Spray Paint, Vinyl, Sticker on Canvas
An abstract perspective of a cityscape.
Water Color on Paper
A projection of water drapes over a foot, the painting interweaves the physical and digital sensation.
Oil on canvas
I made this painting with an attempt to capture the vibrant feeling of spring and awakening. It’s a reminder of the beauty and color of life!
San Francisco at dusk is illuminated by pinpoints of light on the distant hills.
2022
Oil paint on panel
It is difficult for humans to accept their own flaws and imperfections. This is a self-portrait displaying my many different tones and personalities.
Acrylic on Paper
My piece comments on the movement of youth in Mexico towards narco culture and the dire implications it has for more traditional aspects the culture.
History is tied to humanity. There is something heartening about a city that takes pride in its past.
acrylic on canvas