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Hashimoto
Stanford Graduate School of Education (GSE)

The Gravity of the Sun by Jacob Hashimoto

 

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AAEAAQAAAAAAAAkkAAAAJGI3NTVlMjUyLTRkOGYtNDVjZC04NzZkLTc5ODI4NDQxZDY4Nw - Stephen Henderson
Performance

Stephen Henderson

Saturday, October 26

 

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Roble Arts Gym (RAG) Messy Arts Space

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Pars pro Toto (Alicja Kwade, 2021), a new art installation on Stanford’s Science and Engineering Quad, reaches for the cosmos while staying grounded in the geological history of our planet.

Stanford Arts - Momentum

 

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Student Artist

Hana Dao '25

STS 2025

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Motherhood Postponed till Further Notice

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Áo Dài in Seven Parts

Pinned parts of a traditional Vietnamese dress cut to my measurements. Through deconstruction, functionality and familiarity are lost.

2023

Charcoal and Mixed Media on Salvaged Cotton and Organza

By Lily Thai '27
Pavilion

Rendering of a modern jazz pavilion, referencing the visual skeleton chord structure of jazz compositions.

2018

Digital Rendering

By Akshay Dinakar '19
Not Yet

An experiment with my visual synesthesia, which imparts color on 2D shapes. Here I try to create a sense of foreboding and discomfort.

2016

Digital Visual Art

By Andrew Lesh '19
Storytime

I spent 26 days backpacking through Death Valley. When water is scarce, life harder yet more simple, what matters most becomes evident.

Link to Website

2020

song / soundscape

By Elias Feierabend-Peters '20
Say Cheese!

This piece depicts how the new digital, photo-sharing era fetishizes Asian women against their will, especially in their traditional attire.

2022

Linoleum Block Print on Paper

By Hannah Cha '25
Hand over hand

Our hands – bridges, sinewy tendons & arteries – among the last parts dissected because of their distinctly human character.

2015

Photography; De-identified photo taken for artistic purposes with permission from anatomy professors.

By Maia Mosse '20
Bloom

Knowledge allows the mind to bloom.

2022

Digital Illustration

By Felicity Huang '25
Queer Intimacy

Forms of intimacy—emotional, physical, intellectual, spiritual—overlap in these abstract shapes. Intimacy is fluid, not rooted in rigid definitions.

2022

Wood Sculpture

By Bryan Defjan '24
Crushed

Popular Korean and American soda brands represent my Korean-Americanness, and the crushing pressures of assimilation that warps self-perception.

2021

Acrylic Paint on Canvas

By Hannah Cha '25
Looking Up

Taken while walking in my hometown of Washington, D.C.

2020

Photograph

By Laura Anderson '21
Venice

A piece set on a quiet, sunny afternoon in Northeast Italy. Used a reference.

2018

Colored Pencil on Paper

By German Enik '22
Maasai Warriors

I loved this photograph my mom took on our trip to Kenya, and I wanted to recreate the beautiful designs on the fabric here.

2016

Charcoal

By Angela Liu '23
Odonata

Pair of multimaterial CNC dragonflies (brass, copper, aluminum, steel). The dragonflies explore age and rebirth through corrosion.

2024

Sculpture

By Cooper Shea '24
Sunset Studying 2

Location: East Asia Library

2021

Digital Illustration

By Helen He '23
Photography

Taken at Felt Lake during one of the field trips of MI 70Q: Photographing Nature, featuring a IntroSem student of the course.

2019

Photograph

By Yifei He '22
Childhood Silence

This is a painting for children with scars of violence and broken families. The blue hands are suffocating the girl’s strength to speak up.

2016

acrylic on canvas

By Helena Zhang '22
This Too Shall Pass

With a color palette and thematic melancholy inspired by Picasso’s Blue Period, this intimate vignette chronicles my experience with depression.

2023

Oil on wood panel

By Jackie Liu '25
Queer Intimacy

These sculptures are abstract representations of my reflections on intimacy as being fluid, not rooted in rigid definitions.

2022

Wood sculpture

By Bryan Defjan '24
I Am Home

This portrait portrays a friend overlaid and entangled in the swamps of Louisiana near NOLA — her home.

2017

Oil on Canvas

By Francesca Colombo Colombo '19
Burnout

This piece seeks to capture the way people burnout and lose themselves to fulfill the expectations of others.

2020

Digital Illustration

By Felicity Huang '25
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