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Cairo Mo '20
This is a painting of a memory of a moment of me and my boyfriend in his hot tub, right before he told me he loved me for the first time.
2022
Oil Paint on Canvas
By Cairo Mo '20
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
2018
Paper Maps on Cardboard
Girl has a moment of clarity when her head is in the clouds.
Photoshop
Warm summer portrait of girl reading.
Link to Website
As a landscape photographer, I like to see things in different light. These photos represent my personal interpretation of Stanford.
2017
Photo
Art reveals souls in day and night.
A dynamic clash, emotions entwined,
In this vibrant realm, our spirits aligned.
2024
Digital Media – Made with Procreate for Apple iPad
This drawing is a representation of a fractal called a Julia set, which has been rendered out of plants and other organic elements.
Markers on paper
The Countour of White Sands NP
2023
Photograph
I love the idea of a personal brand, especially in 2016.
2014
Color Film
She wipes the mask off after a long day.
These two small paintings feature a whimsical image that explores feminine sexuality, inspired by the flesh-like quality of oil paint.
oil on cnavs
This short film was submitted as part of my arts portfolio for my Stanford application
2021
Short Film
My artwork is a sonnet in which two stars reminisce about Earth. Link to Artwork
Poem
This piece looks into the intersection of queerness and religion in the age of the internet and digital upbringing.
Interactive Digital Work
This is a self portrait examining the complex nature of identity through both realistic forms and abstract shapes.
2016
Acrylic on Canvas
Interrogating the digital footprint created when heteropatriarchy, hypermasculinity, and social media co-exist.
Video Art
Amid noise and glitches, serenity emerges as data flows, lines converge, existing and dissipating simultaneously.
Video Art (with sound)
A process exploration of dye sublimation to print the iconic “Bliss” wallpaper of the operating system Windows XP onto constructed shutters.
Sculpture: wood, white house paint, printed acrylic sheet, venetian window structure
How does the lover’s gaze interpret and transform the body? What does it mean to paint the beloved intimately yet leave them unidentifiable?
Acrylic on canvas
I made this piece as an exploration of how cows are perceived in different cultures, and society’s relationship to animals as a whole.
2015
Mixed Media
This piece uses classical aesthetics to explore man’s grief and natural processes, exploring the idea that humans can create, inform, and be nature.
Charcoal and Pencil on Paper