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Alex Fu '22
Not sure if this counts, but I created a Stanford logo made from many smaller photos. I can make another one, from more interesting photos.
2020
Digital Photograph
By Alex Fu '22
Silhouette of a black woman, breathing her way through.
Acrylic on Canvas
This piece explores gender. On the left are stereotypically feminine things, on the right masculine, and in the middle a “beautiful” mix of the two.
2019
Photograph/Scanned Image
This is a picture of the hub of the city getting reflected in the river water.
2021
Acrylic Paint on Canvas
Indigo mountains and a somber gray sky are reflected in the clear water of Lake Tahoe.
2022
Oil paint on canvas
A close-up, multi-colored rendering of Eppendorf tubes illustrates that Lab Life is not as monochromatic as it appears.
Oil paint on Canvas
I love the idea of a personal brand, especially in 2016.
2014
Color Film
Girl restrains her tears for, hopefully, the last time.
2018
Photoshop
I was inspired by the stillness of this moment, the warm light, and the beautiful shadows created by the trees. This was based on SF Japantown.
gouache on paper
Observing simple, everyday practices in a new country and being dumbfounded by them led me to write this piece on everyday norms and practices here Link to Artwork
Poetry
2021 — a year of uncertainties, breakthroughs, and hope. The nurse at a vaccination site epitomizes this spirit of perseverance and hope.
A Joshua Tree, with its grotesque appearance, instantly demands attention.
Photograph of Landscape
“David” is a 3D bust loosely based on Michelangelo’s piece of the same name. Inspired by the music video of “Money for Nothing” by Dire Straits.
Blender 3D Render
A wristwatch lies across a keyboard with numbers juxtaposing letters, emphasizing how some things are not meant to be rushed and will happen in time.
I painted this painting following the death of my dog. Sourcing imagery from cheap print and Southern nostalgia, Lassie paints a scene of rebirth.
Inspired by the works of Nina Katchadourian, this piece uses materials scavenged from the Stanford campus to explore the definition of “city.”
Paper Maps on Cardboard
This work is made with acrylic on campus in addition to found paper items, medical textbooks, and other materials.
Acrylic paint and multimedia on canvas
Man passing through a quickly gentrifying neighborhood in Paris. The text reads “it is dark (or literally, black) in the country of lights.”
Photograph of Man in Paris
I made this piece as an exploration of how cows are perceived in different cultures, and society’s relationship to animals as a whole.
2015
Mixed Media
This piece captures the fleeting, but golden moment of connection between the deer and the viewer. A reminder that beautiful things are fleeting.
Oil on canvas
Pair of multimaterial CNC dragonflies (brass, copper, aluminum, steel). The dragonflies explore age and rebirth through corrosion.
2024
Sculpture